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This category comprises articles pertaining to monologues, speeches made by one person speaking their thoughts aloud or directly addressing a reader, audience or character Subcategories This category has only the following subcategory.
The use of theatre as a venue for protest in the Philippines [1] has had a long history dating back to its colonial history, and continuing into the present day. [2] [3] It played a particularly important part [4] [5] during the Philippine American War, the Second World War, and during the Dictatorship of Ferdinand Marcos.
Young children typically have poor pronunciation, and there is often little context to infer the meaning of a child's words, even with the help of a parent. This has limited the number of children studied and the length of time over which the development of crib talk monologues have been researched. [2]
She gives birth to 101 children, 100 sons and a daughter, but the king's second queen replaces them for puppies. The 101 children are saved by the king's pet animals (a sow, a cow, a buffalo and an elephant), which are killed by a ploy of the co-queens, who bribe the royal astrologers to say the animals are bringing misfortune to the king.
Philippine folk literature refers to the traditional oral literature of the Filipino people.Thus, the scope of the field covers the ancient folk literature of the Philippines' various ethnic groups, as well as various pieces of folklore that have evolved since the Philippines became a single ethno-political unit.
Audition monologues demonstrate an actor's ability to prepare a piece and deliver a performance. [13] These pieces are usually limited to two minutes or less and are often paired with a contrasting monologue: comic and dramatic; classical and contemporary. The choice of monologues for an audition [14] often depends on the play or role.
Political satire has played an important role in Philippine life, especially during times of repression and censorship, such as the Philippine American War, the Japanese Occupation of the Philippines, and Martial Law under Ferdinand Marcos, [4] when serious dissent was suppressed but comedy was allowed for a greater freedom of expression. [1]
Florante at Laura [a] is an 1838 awit written by Tagalog poet Francisco Balagtas.The story was dedicated to his former sweetheart María Asunción Rivera, whom he nicknamed "M.A.R." and Selya in Kay Selya ("For Celia").