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Later processes moved toward a black-and-white image, although photographers have used toning solutions to convert silver in the image to silver sulphide, imparting a brown or sepia tone. Similarly, selenium toner produces a blue-black or purple image by converting silver into more stable silver selenide. [2]
Binary images are also called bi-level or two-level. Pixel art made up of two colours is often referred to as 1-bit in reference to the single bit required to store each pixel. [2] The names black-and-white, B&W, monochrome or monochromatic are often used, but can also designate other image types with only one sample per pixel, such as ...
Grayscale images are distinct from one-bit bi-tonal black-and-white images, which, in the context of computer imaging, are images with only two colors: black and white (also called bilevel or binary images). Grayscale images have many shades of gray in between.
Chemical toning could be used to convert three black-and-white silver images into cyan, magenta and yellow images which were then assembled. In a few processes, the three images were created one on top of another by repeated coating or re-sensitizing, negative registration, exposure and development operations.
The Y′ image is essentially a greyscale copy of the main image. YCbCr, Y′CbCr, or Y Pb/Cb Pr/Cr, also written as YC B C R or Y′C B C R, is a family of color spaces used as a part of the color image pipeline in digital video and photography systems. Y′ is the luma component and C B and C R are the blue-difference and red-difference ...
A hand-colored print of George Méliès' The Impossible Voyage (1904). The first film colorization methods were hand-done by individuals. For example, at least 4% of George Méliès' output, including some prints of A Trip to the Moon from 1902 and other major films such as The Kingdom of the Fairies, The Impossible Voyage, and The Barber of Seville were individually hand-colored by Elisabeth ...
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