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The only D6 VTR product is the Philips, now Thomson's Grass Valley's Media Recorder, model DCR 6024, also called the D6 Voodoo VTR. The VTR was a joint project between Philips Digital Video Systems of Germany and Toshiba in Japan .
The Series1 was the original TiVo digital video recorder.. Series1 TiVo systems are based on PowerPC processors connected to MPEG-2 encoder/decoder chips and IDE/ATA hard drives.
AMPEX quadruplex VR-1000A, the first commercially released video tape recorder in the late 1950s; quadruplex open-reel tape is 2 inches wide The first portable VTR, the suitcase-sized 1967 AMPEX quadruplex VR-3000 1976 Hitachi portable VTR, for Sony 1" type C; the source and take-up reels are stacked for compactness.
Ampex created the first D-2 video machine, the ACR-225 commercial spot player [2] working with Sony, who had done some early research into composite digital video, [3] as a cost-effective solution for TV broadcasters with large investments in composite analog infrastructure such as video routers and switchers, since it could be inserted into existing analog broadcast facilities without ...
The Thomson DTI 6300-16 (or 6300-25 to denote the 250GB version) was the first digital television recorder used to access Top Up TV’s push video on-demand service. The device first launched on the market in 2006.
Digital Tape Recording System (DTRS) is a signal recording and playback medium developed by TASCAM, a division of the TEAC Corporation, that was stored on Hi8 video cassettes. It allowed up to 108 minutes of continuous digital multitrack recording on a single tape.
A truly massive affair, it was rated at 20 drawbar horsepower and 35 belt-pulley horsepower. Eagle also built its Model H alongside the Model E from 1926 to 1930. With an identical 8.00-inch (203 mm) bore to the Model E, but a 1.00-inch (25 mm) longer stroke at 10.00 inches, the Model H created a brawny 40 horsepower (30 kW) at the drawbar.
November 4–7, 1977: 3M demonstrates a prototype 2-channel 50.4 kHz 16-bit digital recorder running on 1-inch tape at 45 ips at the New York AES Convention. [3] As no true 16-bit converters were available, it combined separate 12-bit and 8-bit converters to create 16-bit performance.