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People who have been identified as the subjects of photography that are widely regarded as iconic. The people listed in this category are generally those who are most notable for their appearance in the photograph at issue.
The Artist's Studio: 1837 Louis Daguerre: Paris, France Daguerreotype [s 2] Boulevard du Temple: 1838 Louis Daguerre Paris, France Daguerreotype The earliest surviving photograph depicting people: a person working as a shoeshiner and an individual having his shoes shined. [5] [s 1] [s 3] SelfâPortrait as a Drowned Man [b] 18 October 1840 ...
In December 2014, Peter Lik reportedly sold a photograph titled Phantom to an anonymous bidder for $6.5 million, making it potentially the third highest price paid for a photograph. [ 32 ] [ 33 ] [ 34 ] Lik's claim has been greeted with much scepticism.
On at least two occasions, artist's statements have been the subject of gallery exhibitions. The first exhibition of artists' statements, The Art of the Artist's Statement, was curated by Georgia Kotretsos and Maria Pashalidou at the Hellenic Museum, Chicago, in the spring of 2005. It featured the work of 14 artists invited to create artwork ...
Edward Henry Weston (March 24, 1886 – January 1, 1958) was an American photographer. He has been called "one of the most innovative and influential American photographers" [1] and "one of the masters of 20th century photography."
Sally Mann (born Sally Turner Munger; May 1, 1951) [1] is an American photographer known for making large format black and white photographs of people and places in her immediate surroundings: her children, husband, and rural landscapes, as well as self-portraits.
John Deakin (8 May 1912 – 25 May 1972) was an English photographer, best known for his work centred on members of Francis Bacon's Soho inner circle. Bacon based a number of famous paintings on photographs he commissioned from Deakin, including Portrait of Henrietta Moraes, [1] Henrietta Moraes on a Bed [2] and Three Studies of Lucian Freud. [3]
Schweitzer considers the film to be a comedy, horror, melodrama, noir, feminist statement, and an art piece. [64] The film got negative reviews. In a review for The New York Times , art critic Roberta Smith states that the film lacks the artist's usual finesse and is a retrospective of her work - "a fascinating if lumpish bit of Shermaniana."