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Shostakovich and Sviatoslav Richter played the Ninth Symphony in a four-hand arrangement for musicians and cultural officials in early September 1945. The premiere, conducted by Yevgeny Mravinsky, took place on 3 November 1945 in the opening concert of the 25th season of the Leningrad Philharmonic Orchestra, sharing the program with Tchaikovsky's Symphony No. 5.
Howard J. Buss: A Day in the City for solo bassoon (1986) Time Capsule for oboe and bassoon (1996) Desert Odyssey for clarinet, bassoon and piano (1997) Peter Maxwell Davies: Strathclyde Concerto no.8 for bassoon and orchestra; Edison Denisov. Cinq Etudes for bassoon (1983) Sonata for solo bassoon (1982) Franco Donatoni: Concerto for bassoon (1952)
Although made with Shostakovich's tacit approval and based on his music, Atovmyan's arrangements incorporated extensive alterations and newly-composed material. [9] No manuscript score of the Suite for Variety Orchestra No. 1 exists in Shostakovich's hand. Its instrumentation, movement arrangement, and generic titling of movements also do not ...
Allegretto — Allegro non troppo The work begins with an introductory Allegretto section, which is developed from a duet between solo trumpet and bassoon. This leads into the first subject proper, a lively march-like Allegro reminiscent of the vaudeville and theatre music Shostakovich would have encountered during his time as a cinema pianist.
Shostakovich reused the main theme of the first movement, "Scherzo", in the second movement of his Symphony No. 8. [88] 55 Music to the film The Great Citizen, Part II Orchestra 1938–1939 Most of the score is lost. [89] 56 Music to the animated film The Story of a Silly Baby Mouse: Narrator, vocal soloists, and orchestra 1939
Etude in F Minor, Op. 10, No. 9: (bars 28-30) Charles Ives; The Unanswered Question (solo trumpet part) Julian Cochran; Piano Sonata No. 1 (1st mov.) [2] [self-published source] Fire Dance [2] Animation Suite, Tin Sentinel [2] Animation Suite, Clockwork Doll [2] Trio for violin, oboe and piano, Artemis (2nd mov.) [2] Prelude No. 9 [2] [3 ...
Russian composers Dmitri Shostakovich and Sergei Prokofiev used the low concert C and B ♭ (equivalent to the bassoon's lowest two notes) in many of their compositions and an instrument with the extended range is necessary for works such as Shostakovich's Symphonies Nos. 4, 6, 7, 8, and 11, and Leoš Janáček's Sinfonietta. All of these works ...
The 24 Preludes and Fugues, Op. 87 by Dmitri Shostakovich are a set of 24 musical pieces for solo piano, one in each of the major and minor keys of the chromatic scale.The cycle was composed in 1950 and 1951 while Shostakovich was in Moscow, and premiered by pianist Tatiana Nikolayeva in Leningrad in December 1952; [1] it was published the same year.
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