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Three pieces for bassoon and piano, Op. 18 (1899–1907) Sonata for bassoon and piano, Op.71 (1918) Silhouettes de comédie, 12 pieces for bassoon and orchestra, Op. 193 (1942–1943) György Kurtág: Játékok és üzenetek for solo bassoon (1986–2001) Mary Jane Leach: Feu de Joie for solo bassoon and six taped bassoons (1992)
Prélude et divertissement for bassoon and piano (1960) Nocturne-danse for bassoon (or alto saxophone) and piano (1967) 12 Caprices for bassoon solo (1968) Pièces brèves for bassoon solo (1968) 11 Études sur des modes karnatiques (11 Studies in Karnatic Modes) for bassoon (1972) Shiva for bassoon and piano (1974) Cadenza for bassoon and piano
It is the most frequently performed work in the solo bassoon repertoire. [1] Osborne recorded the rhapsody in collaboration with Sol Schoenbach for a 1952 radio program of contemporary American music run by WNYC in New York. The piece's working title was "Study for Bassoon", but Osborne intended to make it playable on clarinet as well.
Recit, Sicilienne, et Rondo is a solo piece with piano accompaniment that explores both the high and low range of the bassoon. Due to its technical demands and lyrical melodies, this piece is a mainstay of the conservatory repertoire for bassoon.
A few bassoon pieces are regularly performed on euphonium as well, including Mozart's Concerto in B-flat Major K. 191 and Georg Philipp Telemann's Sonata in F Minor. Some pieces work the other way round, including Joseph Horovitz's Euphonium Concerto, which is often played on bassoon. [5]
Three Pieces for Treble Wind and Guitar (1974) treble winds and guitar. Piano Suite (1976) solo piano. Impromptu (1998) flute, clarinet, and bassoon. Corker (1979) clarinet and percussion. Jazz Variations for Solo Bassoon (1977) solo bassoon. Tango (1978) solo guitar. Bronze Veils (1979) trombone, two percussion. Saraband: In profane style ...
Sequenza XII is a composition for solo bassoon, written by Luciano Berio in 1995 (Osmond-Smith 2001), and part of a series of fourteen Sequenze composed between 1958 and 2002. The work was written for, and dedicated to, the French bassoonist Pascal Gallois, who gave the world première on 15 June 1995. [1]
Composed for the inauguration of the Academy of Music's new organ funded by Mary Louise Curtis, who also commissioned this piece. The premiere was given in September 1960 by Paul Callaway on organ, and Eugene Ormandy and the Philadelphia Orchestra. [3] Concertante: 38: 1961–1962: Piano Concerto: for piano and orchestra
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