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  2. Fade (audio engineering) - Wikipedia

    en.wikipedia.org/wiki/Fade_(audio_engineering)

    Possibly the earliest example of a fade-out ending can be heard in Joseph Haydn's Symphony No. 45, nicknamed the "Farewell" Symphony on account of the fade-out ending.The symphony which was written in 1772 used this device as a way of courteously asking Haydn's patron Prince Nikolaus Esterházy, to whom the symphony was dedicated, to allow the musicians to return home after a longer than ...

  3. Aux-send - Wikipedia

    en.wikipedia.org/wiki/Aux-send

    A post-fader output is used in order to prevent channels whose faders are at zero gain from "contaminating" the effects-return loop with hiss and hum. Mixing consoles most commonly have a group of aux-send knobs in each channel strip, or, on small mixers, a single aux-send knob per channel, where one knob corresponds to each aux-send on the board.

  4. Equalization (audio) - Wikipedia

    en.wikipedia.org/wiki/Equalization_(audio)

    Equalization, or simply EQ, in sound recording and reproduction is the process of adjusting the volume of different frequency bands within an audio signal. The circuit or equipment used to achieve this is called an equalizer .

  5. Mixing console - Wikipedia

    en.wikipedia.org/wiki/Mixing_console

    Post-fader sends are normally used in this case. Pre-fade auxiliary sends can provide a monitor mix to musicians on stage (which they hear through monitor speakers pointing at the performers or in-ear monitors); this mix is thus independent of the main mix produced by the faders. Program channels on a radio soundboard

  6. Gain stage - Wikipedia

    en.wikipedia.org/wiki/Gain_stage

    In audio engineering, a gain stage is a point during an audio signal flow that the engineer can make adjustments to the level, [1] such as a fader on a mixing console or in a DAW.

  7. Digital room correction - Wikipedia

    en.wikipedia.org/wiki/Digital_room_correction

    Digital room correction may involve minimum phase algorithms, to maintain wavefront coherence over the intended frequency range.. The use of analog filters, such as equalizers, to normalize the frequency response of a playback system has a long history; however, analog filters are very limited in their ability to correct the distortion found in many rooms.

  8. Emphasis (telecommunications) - Wikipedia

    en.wikipedia.org/wiki/Emphasis_(telecommunications)

    In telecommunications, de-emphasis is the complement of pre-emphasis, in the antinoise system called emphasis. De-emphasis is a system process designed to decrease, (within a band of frequencies), the magnitude of some (usually higher) frequencies with respect to the magnitude of other (usually lower) frequencies in order to improve the overall signal-to-noise ratio by minimizing the adverse ...

  9. Pre-fade listen - Wikipedia

    en.wikipedia.org/?title=Pre-fade_listen&redirect=no

    Pre-fade listen. Add languages. Add links. Article; Talk; English. Read; Edit; View history; Tools. ... Fade (audio engineering)#Pre-fader listen (PFL), after-fader ...