Search results
Results from the WOW.Com Content Network
Murals today share much of the history from past murals, though today’s murals can depict anything. The major job of murals today is to band communities together. Murals have a very positive effect on communities, bring people together and bring pride to the community, and that pride tends to stay and spread to other parts of the community. [2]
The Nativity, one of the murals drawn by Stanley Warren on the walls of St Luke's Chapel in Roberts Barracks, Singapore. The Changi Murals are a set of five paintings of biblical themes painted by Stanley Warren, a British bombardier and prisoner-of-war (POW) interned at the Changi Prison, during the Japanese occupation of Singapore in the Second World War.
The conservation and restoration of cultural property focuses on protection and care of cultural property (tangible cultural heritage), including artworks, architecture, archaeology, and museum collections. [1] Conservation activities include preventive conservation, examination, documentation, research, treatment, and education. [2]
Fire damage can also increase the likelihood of water damage due to exposure to the elements, sprinkler systems and water used by safety personnel to put out the fire. Building restoration needed for this time of damage can include replacing wooden beams and structural elements as soon as possible to ensure that the building does not collapse ...
The conservation and restoration of outdoor artworks is the activity dedicated to the preservation and protection of artworks that are exhibited or permanently installed outside. These works may be made of wood , stone , ceramic material , plastic , bronze , copper , or any other number of materials and may or may not be painted.
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Donate
The mural was inaugurated on Wednesday on the side of an 11-floor building in the center of Latin America's largest city, adding a colorful and pointed message to Sao Paulo's rich collection of ...
In their study, Mora, Mora, and Philippot cite four reasons for the "over-use" of detachment: the 19th-century division of the arts that privileged a "painting" divorced from its architectural and historical context; insensitivity to the aesthetic consequences, often partially concealed by restorers; the curiosity of art historians looking for sinopie; or perceived savings relating to the ...