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Unlike rotating text 180 degrees, the number of sideways characters falls far short of what would be needed for most purposes, and because text is rendered horizontally, it would be very difficult to render beyond one line of vertical text in a well-aligned manner without columns, especially in proportional fonts (furthermore, each character ...
An example, in English, of boustrophedon as used in inscriptions in ancient Greece (Lines 2 and 4 read right-to-left.) Boustrophedon (/ ˌ b uː s t r ə ˈ f iː d ən / [1]) is a style of writing in which alternate lines of writing are reversed, with letters also written in reverse, mirror-style.
180° rotational ambigram saying "Upside Down". [40] "Half-turn" ambigrams or point reflection ambigrams, commonly called "upside-down words", are 180° rotational symmetrical calligraphies. [7] They can be read right side up or upside down, or both. Rotation ambigrams are the most common type of ambigrams for good reason.
Auto-correct will often turn a normal mark typed at the start of a sentence to the upside-down one. On systems with an AltGr key (actual or emulated via right Alt key ) and Extended (or 'International') keyboard mapping set, the symbols can be accessed directly, though the sequence varies by OS and locality and is documented by the vendor.
In computing, a presentation program (also called presentation software) is a software package used to display information in the form of a slide show. It has three major functions: [1] an editor that allows text to be inserted and formatted; a method for inserting and manipulating graphic images and media clips; a slide-show system to display ...
The caret symbol can be written just below the line of text for a punctuation mark at low line position, such as a comma, or just above the line of text as an inverted caret (U+02C7 ˇ CARON) for a character at a higher line position, such as an apostrophe, or in either position to indicate insertion of a letter, word or phrase; [3] the ...
In this table, parentheses mark letters that stand in for themselves or for another. For instance, a rotated 'b' would be a 'q', and indeed some physical typefaces didn't bother with distinct sorts for lowercase b vs. q, d vs. p, or n vs. u; while a rotated 's' or 'z' would be itself.
In The World Upside Down in 16th-Century French Literature and Visual Culture, [3] Vincent Robert-Nícoud introduces the mundus inversus by writing (p. 1): . To call something ‘inverted’ or ‘topsy-turvy’ in the sixteenth century is, above all, to label it as abnormal, unnatural and going against the natural order of things.