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[42] Subsequently, in 1997, Jackson revised Boyd's figures somewhat, pointing out that "brothers" and "brethren" occur nine times each in Titus; eight of the examples of "brethren" are in Act 1, but only one example of "brothers". In Shakespeare's early plays, there are twenty-three uses of "brothers" and only two of "brethren", whereas in ...
Mainstream Shakespeare scholars maintain that biographical interpretations of literature are unreliable for attributing authorship, [10] and that the convergence of documentary evidence for Shakespeare's authorship—title pages, testimony by other contemporary poets and historians and official records—is the same as that for any other author ...
Wilkins, who with Shakespeare was a witness in the Bellott v. Mountjoy lawsuit of 1612, [8] has been an obvious candidate for the author of the non-Shakespearean matter in the play's first two acts; Wilkins wrote plays very similar in style, and no better candidate has been found.
Little is known of Shakespeare's personal life, and some anti-Stratfordians take this as circumstantial evidence against his authorship. [37] Further, the lack of biographical information has sometimes been taken as an indication of an organised attempt by government officials to expunge all traces of Shakespeare, including perhaps his school records, to conceal the true author's identity.
The Shakespeare canon is generally defined by the 36 plays published in the First Folio (1623), some of which are thought to be collaborations or to have been edited by others, and two co-authored plays, Pericles, Prince of Tyre (1609) and The Two Noble Kinsmen (1634); two classical narrative poems, Venus and Adonis (1593) and The Rape of Lucrece (1594); a collection of 154 sonnets and "A ...
A consensus is emerging that the play was written by a team of dramatists including Shakespeare early in his career – but exactly who wrote what is still open to debate. The play is included in the Second Edition of the Complete Oxford Shakespeare (2005), where it is attributed to "William Shakespeare and Others", and in the Riverside ...
For Shakespeare, as he began to write, both traditions were alive; they were, moreover, filtered through the recent success of the University Wits on the London stage. By the late 16th century, the popularity of morality and academic plays waned as the English Renaissance took hold, and playwrights like Thomas Kyd and Christopher Marlowe revolutionised theatre.
Subsequent investigation by the New Oxford Shakespeare published in the edition's Authorship Companion found that scene 4.1 is in fact by Shakespeare not Peele [89] and that the Fly Scene (3.2), present only in 1623 Folio edition, is a late addition to the play, probably made by Thomas Middleton after Shakespeare died in 1616. [90]