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Phonk (/ f ɒ ŋ k / ⓘ) is a subgenre of hip hop and trap music directly inspired by 1990s Memphis rap. The genre is characterized by its use of vintage Memphis rap vocals, chopped and screwed production techniques, and samples from early 1990s hip hop, often combined with samples from jazz and funk .
"Squidward Nose" is a song by American rapper and singer Cupcakke. It was independently released on January 11, 2019. It was independently released on January 11, 2019. The song refers to the character Squidward Tentacles from the Nickelodeon TV series SpongeBob SquarePants .
The album is an example of the crew of SpongeBob SquarePants ' eclectic musical tastes. When The Flaming Lips member Wayne Coyne suggested a duet with Justin Timberlake, series creator Stephen Hillenburg responded with, "I don't want any of those sort of commercial weirdos on there.
Already, generative AI music programs like Suno, which allows users to enter prompts and generate songs based on the text suggestions, have been hailed as the ChatGPT of music.
Tom Kenny, SpongeBob's voice actor, considers "Band Geeks" one of his favorite episodes. [16] In a 2009 review, Michael Cavna of The Washington Post ranked the episode at No. 5 in his "The Top Five SpongeBob Episodes: We Pick 'Em" list. He said "Squidward's mix of artistic aspiration in the face of goading, humiliation and unrelenting sub ...
The PTC, of course, saw fit to use this positive episode as a negative. The group's media release claimed the dolphin sounds represent the F-bomb and a word for buttocks. Those words do not exist in the episode - and are only created in the minds of adults or young folks exposed to such language in the schoolyard or, dare I say, at home."
SpongeBob's Greatest Hits is the first compilation album for the tenth anniversary of the animated television series SpongeBob SquarePants.The album was released on February 24, 2009, in conjunction with the year-long celebration of the show's tenth anniversary.
Filmtracks.com wrote "The SpongeBob Movie: Sponge on the Run is, like its predecessor, easy listening but insubstantial. The pandemic recording process worked, but the ambience of the music is indeed shallow. This score is much shorter than Debney's, however, and does not offer the same cohesion in thematic development." [19]