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The psalm has been variously dated to either the 8th century BC, the time of the prophets Hosea and Micah, or to a time after the Babylonian captivity.The latter date is supported by the reference to "gathering" in verse 5, but is problematic because verse 2 describes Zion (another name for Jerusalem) as "the perfection of beauty", even though Jerusalem was destroyed in 587 BC.
The work is set as a falsobordone, a technique then commonly used for performing psalm tones in a polyphonic manner. Allegri's setting is based upon the Tonus peregrinus . Verses alternate between a five-part setting sung by the first choir (verses 1, 5, 9, 13, 17) and a four-part setting sung by the second (verses 3, 7, 11, 15, 19 ...
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Psalm 51, also known as the Miserere ("have mercy") poem, was usually read as a plea by David, asking God for forgiveness for his affair with Bathsheba. The Kentish Psalm begins by recounting that traditional exegetical material, followed by "an expansive paraphrase" of the psalm, and ends with the poet's plea that God "forgive the poet and ...
Psalm 51, one of the penitential psalms, [1] is the 51st psalm of the Book of Psalms, beginning in English in the King James Version: "Have mercy upon me, O God". In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 50 .
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Josquin's setting of the Miserere was influential not only as a psalm setting, but as an example of how to approach the text of Infelix ego. Later in the 16th century, composers who specifically set the words of Savonarola, such as Adrian Willaert , Cipriano de Rore , and Nicola Vicentino , all of whom wrote motets on Infelix ego , used Josquin ...
Psalm 2 is the second psalm of the Book of Psalms, beginning in English in the King James Version: "Why do the heathen rage". In Latin, it is known as "Quare fremuerunt gentes" . [ 1 ] Psalm 2 does not identify its author with a superscription, but Acts 4:24–26 in the New Testament attributes it to David . [ 2 ]