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White-ground vases were produced, for example, in Ionia, Laconia and on the Cycladic islands, but only in Athens did it develop into a veritable separate style beside black-figure and red-figure vase painting. For that reason, the term "white-ground pottery" or "white-ground vase painting" is usually used in reference to the Attic material only.
As defined and used by Southwestern archaeologists, a ware is "a large grouping of pottery types which has little temporal or spatial implication but consists of stylistically varied types that are similar technologically and in method of manufacture", and "a defined ware is a ceramic assemblage in which all attributes of paste composition (with the possible exception of temper) and of surface ...
In any case, the faithful reproduction of the process involving extensive experimental work that led to the creation of a modern production unit in Athens since 2000, [25] has shown that the ancient vases may have been subjected to multiple three-stage firings following repainting or as an attempt to correct color failures [20] The technique ...
Image:Map of USA-bw.png – Black and white outlines for states, for the purposes of easy coloring of states. Image:BlankMap-USA-states.PNG – US states, grey and white style similar to Vardion's world maps. Image:Map of USA with county outlines.png – Grey and white map of USA with county outlines.
Black Oribe can be distinguished from Oribe Black in that Black Oribe features designs and white coloring. Many argue that this Oribe is easily and oftentimes confused with Black Seto, as the glazes are rather similar. [3] Dark glaze is applied using a typical pouring or trailing method, but parts of the bowl may be left untouched. [2]
Belgium will in January become the first European Union country to ban sales of disposable vapes because of concerns about their use among children and the environmental damage they can cause. The ...
Genuine famille noire wares were made in the Kangxi era, although some clobbered wares had the black added to famille verte porcelain in the 19th century. They may have a copper-green lead-based enamel painted over dry black cobalt ground on the biscuit, and a transparent green glaze was then applied, giving it a near-iridescent appearance.