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Dorrance is known for her creative ensemble choreography, rhythm tap style and ambitious collaborative projects with fellow tap dance choreographers and musicians. She is currently a 2017 Choreographic Fellow at New York City Center and an Artist in Residence at the American Tap Dance Foundation. Dorrance lives in Brooklyn, New York.
It is runs, in part, from the Joyce Theater, a 472-seat dance performance venue located in the Chelsea neighborhood of Manhattan in New York City. The Joyce occupies the Elgin Theater , a former movie house that opened in 1941 and was gut-renovated and reconfigured in 1981–82.
The video, posted on X on Wednesday, shows tap dancers from New York City-based dance troupe Dorrance Dance dancing around the festively-decorated White House.
In December 2017, she was one of a quartet of female dancers in Michelle Dorrance's Until the Real Thing Comes Along (a letter to ourselves), which debuted at New York's Joyce Theater. New York Times dance critic Gia Kourlas called Dorrance's collaborators—Sullivan, Jillian Meyers, and Josette Wiggan-Freund—"three singular and rhythmically ...
2008 La Noche, Ballet de Monterrey, Joyce Theater; 2008 In The Mix!, Workshop, New York City; 2007 P.E.A.C.E., Rosie's Theater Kids; 2007 Jugglin' Styles II, (creator/contributing) 2007 Dance Rocks, CTFD Gala Opening number; 2006 The Guy in the White Shirt, Marymount Manhattan College; 2006 Dance Break NYC, (Mystical Undines; Personals)
Theater at Cedar Lake Contemporary Ballet – New York City; Cowles Center for Dance and the Performing Arts – Minneapolis, Minnesota; Dance Place – Washington, DC; Dance Theater Workshop – New York City; Danspace Project – New York City; England Studio Theater – Washington, DC; Joan W. and Irving B. Harris Theater for Music and Dance ...
The company is located in Manhattan, New York City and its productions have been performed throughout the city, including in the Brooklyn Academy of Music, Dance Theater Workshop, New York Theatre Workshop, Danspace Project, the Joyce Theatre, P.S. 122, The Kitchen, the Baryshnikov Arts Center, and other venues.
Towards the end of 2001, ATDO was renamed the American Tap Dance Foundation (ATDF). The reasons were twofold: first, the new name allowed for a broader focus. [14] The change reflected a new generation of tap dancers and a renewed focus on establishing the first-ever Center for Tap – an international home for dancers, based in New York City. [15]