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Sahitya Akademi Award for Kannada Award for contributions to Kannada literature Award Awarded for Literary award in India Sponsored by Sahitya Akademi, Government of India Reward(s) ₹ 1 lakh (US$1,200) First awarded 1955 Last awarded 2023 Highlights Total awarded 69 First winner Kuvempu Recent winner K. V. Narayana Website sahitya-akademi.gov.in Part of a series on Sahitya Akademi Awards ...
Kannada Saahithya Parishath (Kannada: ಕನ್ನಡ ಸಾಹಿತ್ಯ ಪರಿಷತ್ತು, romanized: Kannaḍa Sāhitya Pariṣattu; lit. ' Kannada Literary Council ' ) is an Indian non-profit organisation that promotes the Kannada language and its literature.
She is an Indian feminist writer and well-known writer of modern Kannada language fiction. Vaidehi is one of the most successful women writers in the language and a recipient of prestigious national and state-level literary awards. [2] She has won the Sahitya Akademi Award for her collection of short stories, Krauncha Pakshigalu in 2009. [3]
Women writers (poets, novelists, screenplay writers, playwrights, journalists etc) who live or have lived in Karnataka, or who are of Kannada origin, or both. Pages in category "Women writers from Karnataka"
Kannada poetry in the last 50 years has been closely related to social aspects. The caste system gave rise to the Bandaya and Dalita genres of poetry. The atrocities against women and the general ill-treatment meted out to them in Indian society gave rise to the Stri (Woman) genre of poetry.
Modern Kannada literature was cross-fertilized by the colonial period in India as well., [132] [133] with translations of Kannada works and dictionaries into European languages as well as other Indian languages, and vice versa, and the establishment of European style newspapers and periodicals in Kannada. In addition, in the 19th century ...
New data from Freddie Mac shows the benchmark 30-year fixed-rate mortgage trending at its highest levels since July as of Friday, January 3, 2025, while average rates drift lower to end a week of ...
Kannada poetry dates back many centuries, to before the time of Adikavi Pampa. A revival took place in the early 20th century led by Kuvempu, Dattatreya Ramachandra Bendre, B. M. Srikanthaiah and others. The genre was further developed after Indian independence with poets including Gopalakrishna Adiga