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ValhallaDSP says this reverb is best for the sound of "old school digital hardware reverbs". [13] One review feels that while it is excellent for getting the unreal larger than life sound of a classic Lexicon reverb, it does not work as a subtle reverb effect and is not a reverb for every occasion. [15]
The Watkins Copicat is an effects unit that produces tape delay and reverb effects. One of the first commercially available tape delay units, [1] the original Copicat model was produced by Watkins Electric Music beginning in 1958. The Copicat became one of Watkins' most successful products, and the company produced various Copicat models and ...
The combination of tape heads is controlled with a rotary knob. [2] Users may adjust the bass and treble levels on the output sound, the number of echo repeats, the length of each echo, and the ratio of the echo and reverb sounds. [1] The Space Echo has two microphone inputs, one instrument input, and one input for a mixer or PA. [1]
LEDs and physical labels are used to differentiate and show the status of various effects, [9] such as a filter, [11] tape saturation, [10] [5] and the "magic wand" - a combination of reverb and delay. [7] Buttons on the device are toy-like and oversized, [8] described by the creators as "chonky" (a play on the word "chunky") and "bubbly". [2]
Delay is an audio signal processing technique that records an input signal to a storage medium and then plays it back after a period of time. When the delayed playback is mixed with the live audio, it creates an echo-like effect, whereby the original audio is heard followed by the delayed audio.
The SP-303 features twenty-six internal effects that can be applied to samples and external sources as well. Some of these effects are Filter + Drive, Pitch, Delay, Vinyl Sim, Isolator, Reverb, and Tape Echo. Another notable feature is the built-in pattern sequencer, where loops and patterns can be programmed.
The M1 also features effects, including reverb, delay, chorus, tremolo, EQ, distortion, and Leslie simulation, an innovative inclusion at the time. According to Sound on Sound , none of the M1's features were unique, but were implemented and combined in a new way.
In addition to a range of reverb types, the RMX-16 had a program ("Non Lin 2") which digitally emulated the drum sound of a compressed and gated room microphone, copying the effect used on the Phil Collins recording In the Air Tonight. [7] (Collins' drum sound was created by a combination of a room microphone compressed by the "Listen Mic ...
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