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Vaazhai (Tamil pronunciation: transl. Banana) is a 2024 Indian Tamil-language children's drama film written, co-produced and directed by Mari Selvaraj.It is produced by Disney+ Hotstar, Navvi Studios and Farmer’s Master Plan Production. [3]
In Chennai, an outlaw motorcycle gang called Satan's Slaves are involved in drug rackets, snatch theft and murders, which are headed by Naren aka Wolfranga. With the increase in such crimes getting out of hand, the city commissioner Vijayakumar assigns the case to ACP Arjun Kumar from Madurai, who is known for his peculiar way of handling justice; breaking one of the limbs of the convicted so ...
There are subtle mistakes at some places, but if you ignore them, you can enjoy this movie. The works of Swapnil Joshi, Anita Date, Shivani Surve and Subodh Bhave have been done well". [ 9 ] Jaydeep Pathak of Maharashtra Times says "Even though the content of the film is very serious and 'tense', 'dark humor' keeps sneaking in the film from ...
Staar Movies [145] Kavundampalayam: Ranjith: Ranjith, Alfia, Imman Annachi, Thurai Makesh Shree Paasathai Movies [146] Light House: Sree Krishna Ananth Nag, Vidya Pradeep, Thalaivaasal Vijay, Vignesh: Phoenix Films International [147] Minmini: Halitha Shameem: Esther Anil, Praveen Kishore, C.Gaurav Kaalai Stage Unreal, Baby Shoe Productions ...
Vaalee is a 1999 Indian Tamil-language psychological romantic thriller film written and directed by S. J. Suryah in his directorial debut. The film stars Ajith Kumar in dual roles with Simran and Jyothika in her Tamil debut while Vivek, Rajeev, Pandu and Sujitha appear in supporting roles.
A reviewer from Deccan Chronicle wrote "throughout the movie, the director tries to drive home the point that life can be started afresh even when the past has been very hard on you". [4] Subashree Dutta of the LeisureByte wrote "the movie relies more on your ability to perceive than on evoking emotions using the storyline.
This shift underscores a transformative phase for the industry, where digital distribution is increasingly becoming a vital revenue source for filmmakers and studios. Currently, the OTT audience in India stands at 547 million users, reflecting a 14% increase from 2023’s 481 million, representing a 38% market penetration. [5]
Analysing the movie for Onmanorama, Sajesh Mohan wrote about how Lijo used colours to narrate different stages of his folklore, "Lijo's colour-coding in ‘Malaikottai Vaaliban’ adds an intriguing dimension. When Vaaliban's combat is primarily physical, colours are gradually introduced until they culminate in red and black.