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Production of pottery is documented in the early Middle Ages, though no surviving pieces can be firmly attributed there before about 1490. It reached its artistic peak in the 15th and early 16th century. [1] It was the first Italian centre to use lustreware pigments, usually yellow, ruby or olive-green. Open pieces are usually only painted the ...
Pages in category "Ceramics manufacturers of Italy" The following 12 pages are in this category, out of 12 total. This list may not reflect recent changes. B.
Shell-shaped snuffbox, by Gricci, Caselli and a goldsmith, 1745–1750 [22]. The true Capodimonte wares of the short period between 1743 and 1759 included tableware of the usual types, figures, and the Porcelain boudoir of Maria Amalia of Saxony entirely made of porcelain panels in a chinoiserie style, originally made for the Palace of Portici (1757–59), but now moved to the Capodimonte ...
Caiger-Smith, Alan, Tin-Glaze Pottery in Europe and the Islamic World: The Tradition of 1000 Years in Maiolica, Faience and Delftware (Faber and Faber, 1973) ISBN 0-571-09349-3; Cohen, David Harris and Hess, Catherine, A Guide To Looking At Italian Ceramics (J. Paul Getty Museum in association with British Museum Press, 1993)
English tin-glazed majolica. First shown at the 1851 Exhibition by Minton & Co., Exhibit Number 74. Potteries Museum, Stoke-on-Trent, UK. The notes in this article append tin-glazed to the word meaning 'opaque white tin-glaze, painted in enamels', and coloured glazes to the word meaning 'coloured lead glazes, applied direct to the biscuit'.
The National Museum of Ceramics Duca Di Martina (Italian: Museo nazionale della ceramica “duca di Martina”) is a historical and artistic site situated inside of the Villa Floridiana Park (Parco di Villa Floridiana) in Naples, Italy.
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