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Jesus Met the Woman at the Well" is a traditional gospel song. It relates the story of the meeting between Jesus and the Samaritan Woman , found in the Gospel of John at 4:4-26 . One of the earliest recordings, by The Pilgrim Travelers (1950), credits the song as "Traditional, arranged by J. W. Alexander ".
The Water of Life Discourse between Jesus and the Samaritan Woman at the Well by Angelika Kauffmann, 17th–18th century. The Samaritan woman at the well is a figure from the Gospel of John. John 4:4–42 relates her conversation with Jesus at Jacob's Well near the city of Sychar.
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Orthodox icon of Photina, the Samaritan woman, meeting Jesus by the well. The in-depth account about Jesus and the Samaritan Woman at the Well is highly significant for understanding Jesus in several relationships: Samaritans, women, and sinners. By talking openly with this woman, Jesus crossed a number of barriers which normally would have ...
A list of all songs with lyrics about Jesus Christ, where he is specifically the central subject.This category contains both songs referring to specific moments of Jesus's life (birth, preaching, crucifixion) and songs of blessing, rejoicing or mourning where he is portrayed as a religious deity or examined as a cultural figure.
According to Casting Crowns' lead vocalist Mark Hall, the concept for Come to the Well is the song "The Well". Hall wrote the song based on the Biblical story of "woman at the well and the fact that she was standing there talking to Jesus about water and Jesus was talking to her about water, but they weren't talking about the same water". [4]
Jesus held women personally responsible for their own behavior as seen in his dealings with the woman at the well (John 4:16–18), the woman taken in adultery (John 8:10–11), and the sinful woman who anointed his feet (Luke 7:44–50 and the other three gospels). Jesus dealt with each as having the personal freedom and enough self ...
"I'll Be a Sunbeam" (also called "Jesus Wants Me for a Sunbeam") is a popular children's Christian hymn composed by Nellie Talbot; it is sung to music composed in 1900 by Edwin O. Excell. Due to its age, the hymn has entered the public domain in the United States .