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The statue was noted in 1676 by the traveller George Wheler, and several ambassadors who had submitted applications to the Ottomans for its removal with any success. [ 6 ] [ 7 ] Around 1765–1766, the antiquary Richard Chandler , along with the architect Nicholas Revett and the painter William Pars , visited Eleusis and mentioned the statue as ...
A caryatid (/ ˌ k ɛər i ˈ æ t ɪ d, ˌ k ær-/ KAIR-ee-AT-id, KARR-; [1] Ancient Greek: Καρυᾶτις, romanized: Karuâtis; pl. Καρυάτιδες, Karuátides) [2] is a sculpted female figure serving as an architectural support taking the place of a column or a pillar supporting an entablature on her head.
Catholicism interprets the commandment not to make "any graven image, or any likeness of any thing that is in heaven above" to mean to not "bow down and worship" the image in and of itself nor a false god through the image. Catholic theology offers the following explanations of liturgical practice that features images, icons, statues, and the like:
The caryatid is the female precursor of this architectural form in Greece, a woman standing in the place of each column or pillar. Caryatids are found at the treasuries at Delphi and the Erechtheion on the Acropolis at Athens for Athene.
The sixth caryatid was stolen (unproven) by the command of British Lord Elgin and is now held in the British Museum in London. [4] [5] There are two different views for the meaning behind the caryatid maidens in the literature, the first being a maiden dancer from the village of Karyes [3] and the second an imprisoned slave. [6]
Statue of Archangel Michael slaying a dragon (interpreted to be Satan). The inscription on the shield reads: Quis ut Deus.Hallway in the headquarter of the former Military Order of Saint Michael in the Electoral Palace (now University of Bonn, Germany main building).
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The original Ecclesia and Synagoga from the portal of Strasbourg Cathedral, now in the museum and replaced by replicas. Ecclesia and Synagoga, or Ecclesia et Synagoga in Latin, meaning "Church and Synagogue" (the order sometimes reversed), are a pair of figures personifying the Church and the Jewish synagogue, that is to say Judaism, found in medieval Christian art.