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Taino Zemi mask from Walters Art Museum. A zemi or cemi (Taíno: semi [sɛmi]) [2] was a deity or ancestral spirit, and a sculptural object housing the spirit, among the Taíno people of the Caribbean. [3] Cemi’no or Zemi’no is a plural word for the spirits.
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Art historian Dawn Ades writes, "Far from being inferior, or purely decorative, crafts like textiles or ceramics, have always had the possibility of being the bearers of vital knowledge, beliefs and myths." [51] Recognizable art markets between Natives and non-Natives emerged upon contact, but the 1820–1840s were a highly prolific time.
Taíno pictographs in Cuevas de las Maravillas, the Dominican Republic. Historian Frank Moya Pons states during the early period of Spanish colonization in the Dominican Republic a process "of transculturation began whereby Taino's mixed within the Spanish population, together with African slaves, giving rise to a new Creole culture.
The art of the neo-Taínos demonstrates that these nations had metallurgical skills, and it has been postulated by some e.g. Paul Sidney Martin, [17] that the inhabitants of these islands mined and exported metals such as copper (Martin et al. 1947). The Cuban town of (San Ramón de) Guaninao means the place of copper and is surmised to have ...
Jamaican art dates back to Jamaica's indigenous Taino Indians who created zemis, carvings of their gods, for ritual spiritual purposes. The demise of this culture after European colonisation heralded a new era of art production more closely related to traditional tastes in Europe, created by itinerant artists keen to return picturesque images ...
The Taino people utilized dried tobacco leaves, which they smoked using pipes and cigars. Alternatively, they finely crushed the leaves and inhaled them through a hollow tube. The natives employed uncomplicated yet efficient tools for planting and caring for their crops.
The petroglyphs have become popularly associated with the Taino people and have been widely reproduced in popular art, [2] and the site has become a popular tourist attraction. The site was added to the United States National Register of Historic Places in 2003 due to its importance as a prime example of prehistoric rock art in Puerto Rico. [3]
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