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Taino Zemi mask from Walters Art Museum. A zemi or cemi (Taíno: semi [sɛmi]) [2] was a deity or ancestral spirit, and a sculptural object housing the spirit, among the Taíno people of the Caribbean. [3] Cemi’no or Zemi’no is a plural word for the spirits.
Taíno heritage groups are organizations, primarily located in the United States and the Caribbean, that promote Taíno revivalism. Many of these groups are from non-sovereign U.S. territories outside the contiguous United States, especially Puerto Rico and the Virgin Islands.
The Taino people utilized dried tobacco leaves, which they smoked using pipes and cigars. Alternatively, they finely crushed the leaves and inhaled them through a hollow tube. The natives employed uncomplicated yet efficient tools for planting and caring for their crops.
Puerto Rican art is the diverse historic collection of visual and hand-crafted arts originating from the island. The art of the Puerto Ricans (Spanish: puertorriqueños or boricuas) draws from the various cultural traditions of the indigenous Taino people, as well as the history of the island as the subject of various other nations.
He fled to Hispaniola to what now is Dominican Republic after the 1511-16 Taino rebellion. [5] Acanorex: Cacique on Ayiti (currently Hispaniola) [6] Agüeybaná (The Great Sun) Cacique whose name means "The Great Sun" was "Supreme Cacique" in Puerto Rico who welcomed Juan Ponce de León and the conquistadors. His yucayeque was on the Guayanilla ...
Images of cemis carved from wood, stone, or clay. [7] The Taíno had no written language but produced ornate sculptures from stone, wood, and clay that were used in many types of ceremony. Those that resembled gods were called cemis or zemis. They also created many other sacred objects including stone collars, ceremonial seats and axes, and ...
The petroglyphs have become popularly associated with the Taino people and have been widely reproduced in popular art, [2] and the site has become a popular tourist attraction. The site was added to the United States National Register of Historic Places in 2003 due to its importance as a prime example of prehistoric rock art in Puerto Rico. [3]
English: Distribution of Taino, Caribbean and Guanahatabey Arawaks in the Antilles, at the time of the arrival of the Spaniards. The map was reworked from information appearing in Saber Ver No. 21 (dedicated to Taino art), March-April 1995, p.
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