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As a practical tool, fabels form part of the process of engaging with a play-text undertaken by a company when mounting a production of a play. A fabel is a piece of creative writing, usually made by a dramaturg or the director, that summarizes the plot of a play in such a way as to emphasize the production's interpretation of that play-text.
The process allowed the writer him/herself to emerge from their introversion and return to the public world. [7] If the phantasies came too close to the unconscious repressed, however, the process would fail, leading either to creative inhibition or to a rejection of the artwork itself.
The Technique of Play Writing (1915) by Charlton Andrews, [9] refers to European and German traditions of dramaturgy and understanding dramatic composition. A foundational work in the Western theatrical tradition is Poetics by Aristotle (written c. 335 BCE), which analyzes the genre of tragedy.
Faust is a tragic play in two parts by Johann Wolfgang von Goethe, usually known in English as Faust, Part One and Faust, Part Two. Nearly all of Part One and the majority of Part Two are written in rhymed verse. Although rarely staged in its entirety, it is the play with the largest audience numbers on German-language stages.
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The Frankfurt Book Fair. German literature (German: Deutschsprachige Literatur) comprises those literary texts written in the German language.This includes literature written in Germany, Austria, the German parts of Switzerland and Belgium, Liechtenstein, Luxembourg, South Tyrol in Italy and to a lesser extent works of the German diaspora.
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The term "play" can encompass either a general concept or specifically denote a non-musical play. In contrast to a "musical", which incorporates music, dance, and songs sung by characters, the term "straight play" can be used. For a brief play, the term "playlet" is occasionally employed. The term "script" pertains to the written text of a play.