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He continues to be active with FRED, the Atlanta Vocal Project, and his current quartet Category 4 (previously A Mighty Wind) [3] and still arranges music for various groups. A Mighty Wind was featured on the video game BioShock Infinite, performing a barbershop version of "God Only Knows". [4] Hine is married to Becki Hine.
The 2013 video game BioShock Infinite (set in 1912) includes a barbershop quartet anachronistically singing a rendition of The Beach Boys' 1966 song "God Only Knows". [26] The 2017 video game Cuphead, known for its 1900s cartoon style, contains two songs sung by barbershop quartet "'Shoptimus Prime": "Don't Deal with the Devil" and "A Quick Break".
The Town and Country Four were the first quartet to win internationally as the contest was held in Canada for the first time in 1963. Disruption caused by the COVID-19 pandemic resulted in cancellation of the 2020 and 2021 international contests, the only years in the society's 86-year history without one.
Joe Connelly (born 1965) is a barbershop quartet lead singer, competition judge, chorus director, and full-time coach for various barbershop quartets. Connelly is the first man ever to have become a Barbershop Harmony Society International Championship gold medalist four times, first with Interstate Rivals in 1987 at the age of 22, then with Keepsake in 1992, with Platinum in 2000, and with ...
Pages in category "Barbershop quartets" ... Media in category "Barbershop quartets" This category contains only the following file. Midtown-logo.jpeg 1,080 × 1,428; ...
The Barbershop Harmony Society, legally and historically named the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America, Inc. (SPEBSQSA), is the first of several organizations to promote and preserve barbershop music as an art form.
Founded in 1963, the chorus is affiliated with the 18,000-member Barbershop Harmony Society, based in Nashville, Tenn. This article originally appeared on Augusta Chronicle: Singing valentines in ...
"God Only Knows" is a song by the American rock band the Beach Boys from their 1966 album Pet Sounds. Written by Brian Wilson and Tony Asher , it is a baroque -style love song distinguished for its harmonic innovation and complexity, unusual instrumentation, and subversion of typical popular music conventions, both lyrically and musically.