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"Douce Dame Jolie", sometimes referred to only as 'Douce Dame', is a song from the 14th century, by the French composer Guillaume de Machaut. The song is a virelai , belonging to the style ars nova , and is one of the most often heard medieval tunes today.
Chansons-Mélodies Romances sans Paroles: Chanson d'Avril, Extase, Méditation : Souvenir de l'Arlésienne [3] Venise : Romance sans Paroles [3] Jeux d'enfants (Children's Games) 12 pieces for piano duet; L'escarpolette (The Swing, Rêverie) La toupie (The Top, Impromptu) La poupée (The Doll, Berceuse) Les chevaux de bois (The Hobby-horses ...
The song is included in a medley including "Maman a tort" / "Libertine" / "Sans contrefaçon"; it is performed twice (at the beginning and at the end) and is the longest one of the medley. Album version 4:16 Les Mots: Laurent Boutonnat: 2001 This version is similar to the single version, but is very slightly longer. Paul Oakenfold remix 4:03 ...
Chromatic mediant from Tchaikovsky's Chant sans paroles, Op. 2, No. 3, mm. 43-45 Play ⓘ. Note ♭ VI in root position and the repeated return to I (D ♭ and F, respectively), characteristic of chromatic mediant root movement. [2] Souvenir de Hapsal consists of three pieces for the piano: [3] Ruines d'un château, E minor; Scherzo, F major
Le rosier et la colombe: for chorus (or 2 solo voices) a cappella: words by Jean Cocteau; published in La Revue musicale: Choral: 1911: Aubade athénienne: for female chorus and piano: words by Paul Reboux; fragment d'un opéra esquissé Choral: 1917: Noctem quietam: for tenor, chorus and organ or piano (ad libitum) Choral: 1925: À la lumière
Berlioz in 1845. Les nuits d'été (Summer Nights), Op. 7, is a song cycle by the French composer Hector Berlioz.It is a setting of six poems by Théophile Gautier.The cycle, completed in 1841, was originally for soloist and piano accompaniment.
The rolls that survive are of the "Romance sans paroles" No. 3, Barcarolle No. 1, Prelude No. 3, Nocturne No. 3, Thème et variations, Valses-caprices Nos 1, 3 and 4, and piano versions of the Pavane, and the "Sicilienne" from Fauré's music for Pelléas and Mélisande. Several of these rolls have been transferred to CD. [104]
Gagnon was born in Saint-Pacôme, Quebec, Canada. [4] [5] The youngest of nineteen children, Gagnon began composing at the age of six and according to the Canadian Encyclopedia, "He took theory lessons with Léon Destroismaisons in Ste. Anne-de-la-Pocatière from 1952-53 and studied at the Conservatoire de musique à Montréal with Germaine Malépart (piano), Clermont Pépin (composition), and ...