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Lake Shore (湖畔), by Kuroda Seiki (1897) Reminiscence of the Tempyō Era (天平の面影), by Fujishima Takeji (1902). Yōga (洋画, literally "Western-style painting") is a style of artistic painting in Japan, typically of Japanese subjects, themes, or landscapes, but using Western (European) artistic conventions, techniques, and materials.
These were produced in the late 18th century by the Japanese ukiyo-e artist Kitagawa Utamaro (c. 1753 – 1806) for the prominent merchant Zenno Ihē. The paintings have a reputation as Utamaro's most ambitious works. They are unusually large, and were executed in high-quality coloured pigments on imported Chinese Xuan paper. Utamaro made the ...
The terminology included may relate to prehistoric art of the Jomon and Yayoi periods, Japanese Buddhist art, nihonga techniques using sumi and other pigments and dyes, various artisan crafts such as lacquerware techniques, katana and swordmaking, temple, shrine, and castle architecture, carpentry terms, words relating to kimono making industry ...
Japanese Modern Art Painting From 1910 . Edition Stemmle. ISBN 3-908161-85-1; Watson, William, The Great Japan Exhibition: Art of the Edo Period 1600-1868, 1981, Royal Academy of Arts/Weidenfeld & Nicolson; Momoyama, Japanese art in the age of grandeur. New York: The Metropolitan Museum of Art. 1975. ISBN 978-0-87099-125-7. Murase, Miyeko (2000).
Japanese art consists of a wide range of art styles and media that includes ancient pottery, sculpture, ink painting and calligraphy on silk and paper, ukiyo-e paintings and woodblock prints, ceramics, origami, bonsai, and more recently manga and anime. It has a long history, ranging from the beginnings of human habitation in Japan, sometime in ...
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Large scale paintings were commissioned to adorn the castles and palaces of the military rulers. The Kanō school, patronized by the ruling class, was the most influential school of the period and, with 300 years of dominance, endured for the longest period in the history of Japanese painting.
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