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Command Decision is a 1949 war film released by Metro-Goldwyn-Mayer starring Clark Gable, Walter Pidgeon, Van Johnson, and Brian Donlevy, and directed by Sam Wood, based on the 1948 stage play of the same name written by William Wister Haines, which he based on his best-selling 1947 novel.
"You Don't Miss Your Water ('Til the Well Runs Dry)" is a song by British singer Craig David's. It was written by David and Mark Hill for his second studio album, Slicker Than Your Average (2002), while production was helmed by Hill, with duo Soulshock and Peter Biker credited as additional producers.
During the film's research and production, Beauchamp worked closely with Till's mother, Mamie Till-Mobley, who famously insisted that her son's body be returned to Chicago and that his casket would remain open during the funeral. Beauchamp and Till-Mobley became close, speaking several times a day for eight years until her death in 2003.
Almost by default, filmmakers typically take a wide lens to historical moments like the 1955 lynching of 14-year-old Emmett Till. In reaching for a defining chapter of America, it's natural for a ...
Command Decision, a 1948 World War II film starring Clark Gable; Command Decision, a 1948 World War II play starring James Whitmore; Command Decision, a novel by Elizabeth Moon in the Vatta's War series "Command Decision" (Dad's Army episode), a 1968 episode of Dad's Army; Command Decision, a series of miniature wargames by Game Designer's Workshop
"You Don't Miss Your Water" was covered by Stax vocalist Wendy Rene in 1965, with Bell and Isaac Hayes credited as writers, but with some lyric changes and a re-titling to "Reap What You Sow." Otis Redding released the song on his critically acclaimed 1965 album, Otis Blue.
Honey, a popular browser extension owned by PayPal, is the target of one YouTuber's investigation that was widely shared over the weekend—over 6 million views in just two days. The 23-minute ...
Command Decision is a war novel by William Wister Haines, [1] serialized in 1946–47 in four parts in The Atlantic Monthly. [2] It was published in book form in 1947. It was developed from the unproduced play of the same title in order to provide a market for a Broadway production that followed in 1947, then adapted as a film in 1948.