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Typical layout of loudspeakers in a 5.1 home theater loudspeaker system. Block diagram of a 5.1 channel bass management system, with nominal filtering characteristics. There are notation differences between the pre-bass-managed signal and after it has passed through the bass manager. For example, when using 5.1 surround sound: [2] [3]
In 1975 Ed Long [1] in cooperation with Ronald J. Wickersham invented the first technique to Time-Align a loudspeaker systems. In 1976 Long presented "A Time-Align Technique for Loudspeakers System Design" [2] at the 54th AES convention demonstrating the use of the Time-Align generator to design improved crossover networks for multi-way loudspeakers systems.
It is commonly thought that there will always be a phase difference of 180° between the outputs of a (second-order) low-pass filter and a high-pass filter having the same crossover frequency. And so, in a 2-way system, the high-pass section's output is usually connected to the high-frequency driver 'inverted', to correct for this phase problem.
The "301" bookshelf speakers were released in 1975. The Bose 301 Series II is a direct/reflecting speaker system. It includes “bass effects” through a 8-inch woofer and surround sound effects through its asymmetrical design. Dual frequency crossover network in the Bose 301 Series II improves sound clarity by optimizing output frequencies. [30]
Bi-amping - An active crossover with two amplifiers.. Bi-amping and tri-amping is the practice of using two or three audio amplifiers respectively to amplify different audio frequency ranges, with the amplified signals being routed to different speaker drivers, such as woofers, subwoofers and tweeters.
A passive crossover A bi-amplified system with an active crossover. Used in multi-driver speaker systems, the crossover is an assembly of filters that separate the input signal into different frequency bands according to the requirements of each driver. Hence the drivers receive power only in the sound frequency range they were designed for ...
The midwoofer-tweeter-midwoofer loudspeaker configuration (called MTM, for short) was a design arrangement from the late 1960s that suffered from serious lobing issues that prevented its popularity until it was perfected by Joseph D'Appolito as a way of correcting the inherent lobe tilting of a typical mid-tweeter (MT) configuration, at the crossover frequency, unless time-aligned. [1]
From about 1900 to the 1950s, the "lowest frequency in practical use" in recordings, broadcasting and music playback was 100 Hz. [9] When sound was developed for motion pictures, the basic RCA sound system was a single 8-inch (20 cm) speaker mounted in straight horn, an approach which was deemed unsatisfactory by Hollywood decisionmakers, who hired Western Electric engineers to develop a ...
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