Search results
Results from the WOW.Com Content Network
Interstellar: Original Motion Picture Soundtrack is the soundtrack album composed by Hans Zimmer for the 2014 film Interstellar by Christopher Nolan. The soundtrack garnered critical acclaim and was nominated for the Academy Award for Best Original Score [ 1 ] and the Grammy Award for Best Score Soundtrack for Visual Media .
The earliest studio recording of the song to be released was the 1966 recording with a running time of 14: 57 and was released in 2017 on the Interstellar Overdrive single. Three live performances of the song featured on The Early Years 1965–1972 boxset, with timings being 4: 24 (recorded in 1969), 8: 57 (recorded in 1967) and 9: 37 (recorded ...
In this pre-digital era, Blue Rock welcomed an eclectic group of clients and performers in the fields of rock, pop, jazz, folk, classical, dance, TV and radio commercials, film and TV scores, and sounds without category. Music, from the traditional to the interstellar, was played and recorded at Blue Rock Studio.
Theme music only Score composed by Mark Mancina: 1993–1994 Space Rangers: CBS: Theme music only Score composed by Mark Mancina and John Van Tongeren: 1994–1995 The Critic: Columbia Pictures Television Gracie Films ABC FOX: Theme music only Score composed by Alf Clausen: 2000–2001 Die Motorrad-Cops – Hart am Limit RTL Group: Theme music only
This list of songs or music-related items is incomplete; you can help by adding missing items. ( October 2021 ) This is a dynamic list and may never be able to satisfy particular standards for completeness.
Interstellar Low Ways is an album recorded by the American jazz musician Sun Ra and his Myth Science Arkestra, mostly recorded in Chicago, 1960, and released in 1967 [1] [4] [better source needed] on his own El Saturn label.
Christopher Nolan's sci-fi film, starring Matthew McConaughey, Jessica Chastain and Anne Hathaway, hit theaters 10 years ago
Interstellar Space was released in September 1974 by Impulse!Records. [20] In a contemporary review for Rolling Stone, music journalist Stephen Davis called the album "plainly astounding" and found Ali to be the ideal complement for Coltrane's mystical ideas: "He outlandishly returns the unrelenting outpour of energy spewing from Trane, and the result is a two-man vulcanism in which Ali ...