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Maciunas' Fluxus Manifesto, copies of which were thrown into the audience at the Festum Fluxorum Fluxus, Düsseldorf, February 1963. His father, Alexander M. Maciunas, was a Lithuanian architect and engineer who had trained in Berlin, and his mother, Leokadija, was a Russian-born dancer from Tiflis affiliated with the Lithuanian National Opera [3] and, later, Aleksandr Kerensky's private ...
Fluxus 1, 1964.This copy in the Archiv Sohm, Staatsgalerie Stuttgart. Fluxus 1 is an artists' book edited and produced by the Lithuanian-American artist George Maciunas, containing works by a series of artists associated with Fluxus, the international collective of avant-garde artists primarily active in the 1960s and 1970s.
Fluxus Manifesto, 1963, by George Maciunas Poster to Festum Fluxorum Fluxus 1963. Fluxus was an international, interdisciplinary community of artists, composers, designers, and poets during the 1960s and 1970s who engaged in experimental art performances which emphasized the artistic process over the finished product.
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In 1969 Jones opened his own Tone Deaf Music Store (aka Joe Jones Music Store and/or JJ Music Store) at 18 N. Moore Street in New York City. There he presented his repetitive drone music machines in the window so that anyone could press the numerous door buttons to play the machine noise music in the window. [4]
George Segal and Allan Kaprow referred to it as the New Brunswick School of Painting. In the late 1950s, George Segal invited Allan Kaprow to go on a mushroom hunt with him and John Cage. Cage is remembered for his class in experimental composition, but he also taught mushroom identification. A discussion on the use of electronic sound ...
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The Centenary Translation — Helen Barrett Montgomery (1924) The Holy Bible from Ancient Eastern Manuscripts — George Lamsa (1933) Bible in Basic English — S.H. Hooke (1949) The Holy Bible: A Translation From the Latin Vulgate in the Light of the Hebrew and Greek Originals (aka "Knox Bible") — Ronald Knox (1950)