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Choose a large artwork that stands out in terms of color, size, or subject matter and place it in a prominent position, such as above a fireplace, on a sofa, or on a central wall in a hallway ...
A reredos (/ ˈ r ɪər ˌ d ɒ s, ˈ r ɪər ɪ-, ˈ r ɛ r ɪ-/ REER-dos, REER-ih-, RERR-ih-) is a large altarpiece, a screen, or decoration placed behind the altar in a church. It often includes religious images. The term reredos may also be used for similar structures, if elaborate, in secular architecture, for example very grand carved ...
The three-panel fire screen, which covers the fireplace almost completely, has two side panels angled away from the central panel. It is an effective way of providing decoration in a room. The horse screen, or cheval screen (cheval is the French word for horse) was in common use from the 18th century. It is a wide screen having two feet on each ...
Later, he and his daughter May made designs for panels for "embroider yourself" kits for cushion covers, fireplace screens, doorway curtains, bedcovers and other household objects. In 1885, Morris turned production of embroidery entirely over to his daughter. [3]
By 1880 he had opened a small workshop in North End Road, Fulham making furniture for Morris & Co. [3] [5] A year later the company employed John Lovegrove, a skilled brass and copper-worker, and Benson moved into the design of metal work including fire screens and fenders, tableware, kettles, urns and light fittings. [3]
A six-panel byōbu from the 17th century Pair of screens with a leopard, tiger and dragon by Kanō Sanraku, 17th century, each 1.78 m × 3.56 m (5.8 ft × 11.7 ft), displayed flat Left panel of Irises (燕子花図, kakitsubata-zu) by Ogata Kōrin, 1702 Left panel of the Shōrin-zu byōbu (松林図 屏風, Pine Trees screen) by Hasegawa Tōhaku, c. 1595 Byōbu depicting Osaka from the early ...
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