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Fused and kiln-formed glass sculpture. Glass fusing is the joining together of pieces of glass at high temperature, usually in a kiln. [1] [2] This is usually done roughly between 700 °C (1,292 °F) and 820 °C (1,510 °F), [3] [4] and can range from tack fusing at lower temperatures, in which separate pieces of glass stick together but still retain their individual shapes, [5] to full fusing ...
Higgins Glass, fused and slumped ashtray and bowl Fused glass piece with dichroic glass highlights. Warm glass or kiln-formed glass is the working of glass, usually for artistic purposes, by heating it in a kiln. The processes used depend on the temperature reached and range from fusing and slumping to casting.
Kiln-formed glass sculpture "United Earth" by Tomasz Urbanowicz. Several of the most common techniques for producing glass art include: blowing, kiln-casting, fusing, slumping, pâté-de-verre, flame-working, hot-sculpting and cold-working. Cold work includes traditional stained glass work as well as other methods of shaping glass at room ...
Feathering – creating feather-like patterns on a glass by dragging a metal tool across the surface of a newly applied wrap. Frit – crushed glass often melted onto other glass to produce patterns and color; Incalmo – the grafting or joining together, while still hot, of two separately blown glass [bubbles] to produce a single [bubble]. [4]
Glass casting is the process in which glass objects are cast by directing molten glass into a mould where it solidifies. The technique has been used since the 15th century BCE in both Ancient Egypt and Mesopotamia. Modern cast glass is formed by a variety of processes such as kiln casting or casting into sand, graphite or metal moulds.
Vitreous enamel, also called porcelain enamel, is a material made by fusing powdered glass to a substrate by firing, usually between 750 and 850 °C (1,380 and 1,560 °F). The powder melts, flows, and then hardens to a smooth, durable vitreous coating.
Higgins Glass refers to any piece of art glass or fused glass fashioned by Michael and Frances Higgins, of Chicago, Illinois, United States, during the last half of the 20th century. Their work combines a Kandinsky -esque visual aesthetic with an emphasis on functionality of the finished pieces.
The Japanese noborigama kiln is an evolution from anagama design as a multi-chamber kiln where wood is stacked from the front firebox at first, then only through the side-stoking holes with the benefit of having air heated up to 600 °C (1,100 °F) from the front firebox, enabling more efficient firings.
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