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Hornbostel–Sachs classification: 423.121.22 (Natural trumpets – an aerophone, with vibrating air enclosed within the instrument, the player's lips cause the air to vibrate directly, the player's lips are the only means of changing the instrument's pitch, the instrument is tubular, the player blows into the end of the tube, the tube is bent or folded, the instrument has a mouthpiece)
The trumpet repertoire consists of solo literature and orchestral or, more commonly, band parts written for the trumpet. Tracings its origins to 1500 BC, the trumpet is a musical instrument with the highest register in the brass family. Among the repertoire for the trumpet are the following works:
Trumpet mouthpiece from the side. The mouthpiece on brass instruments is the part of the instrument placed on the player's lips.The mouthpiece is a circular opening that is enclosed by a rim and that leads to the instrument via a semi-spherical or conical cavity called the cup.
The trumpet is a brass instrument commonly used in classical and jazz ensembles.The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B ♭ or C trumpet.
two or three trumpets; four to eight French horns; two or three tenor trombones; one bass trombone; one tuba. Baroque and classical period orchestras may include valveless trumpets or bugles, or have valved trumpets/cornets playing these parts, and they may include valveless horns, or have valved horns playing these parts.
An offstage instrument or choir part in classical music is a sound effect used in orchestral and opera which is created by having one or more instrumentalists (trumpet players, also called an "offstage trumpet call", horn players, woodwind players, percussionists, other instrumentalists) from a symphony orchestra or opera orchestra play a note, melody, or rhythm from behind the stage, or ...
The book is formatted as a 52-week course with step-by-step instructions on how to practice Gordon's original routines alongside parts of Clarke's Technical Studies and Characteristic Studies, Lip Flexibility on the Trumpet by Walter M. Smith, Saint-Jacome's Grand Method for Trumpet or Cornet, Advanced Lip Flexibilities by Charles Colin, and ...
Many of these trumpet parts are technically quite difficult to play on a natural instrument, and were often written with a specific virtuoso performer in mind, such as Gottfried Reiche (Bach's chief trumpeter and the subject of a famous painting of the era) or Valentine Snow, for whom Handel composed some of his more noted trumpet parts. Indeed ...