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A 3.5 mm coaxial camera jack named PC terminal, to synchronize external non-dedicated flashes (f.e. studio flashes), found on many more advanced camera models. Also may mean "Perspective Control" for a lens that has the ability to shift to tilt to control linear perspective in an image.
Most television studio cameras stand on the floor, usually with pneumatic or hydraulic mechanisms called pedestals to adjust the height and position in the studio. The cameras in a multiple-camera setup are controlled by a device known as a camera control unit (CCU), to which they are connected via a triax , fibre optic or the almost obsolete ...
Today, the term C-stand is a popular name for the grip stand made by Matthews Studio Equipment, Inc. and has been copied by other manufacturers. [9] [10] [11] C-stands are an important component in the image maker's arsenal of tools. In 1974, Matthews Studio Equipment introduced the industry's first folding base C-Stand.
C-stand – Originally known as a century-stand, it is designed to take up very little space and is generally made up of four parts, including the base, a vertical leg with multiple stands, a gobo head and a gobo arm. One of the most common pieces of equipment on a film set, it can hold a variety of reflectors, lights, show cards or boom ...
[19] [20] The URSA Mini Pro 12K is the most recent addition to their URSA Mini line of cameras and boasts the highest resolution sensor of any digital film camera to date. The camera features a custom sensor, and does not use a Bayer pattern , opting instead for a sensor that includes white filters as well as the standard red, green, and blue.
The Mamiya RB67 is a professional medium format single-lens reflex system camera manufactured by Mamiya. [1] [2] There are three successive models: the RB67 Professional (released in 1970), RB67 Pro-S (released in 1974) and RB67 Pro-SD (released in 1990). It is primarily designed for studio use, but can also be used in the field.
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