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Pablo Picasso, 1913, Compotier avec fruits, violon et verre (Bowl with Fruit, Violin, and Wineglass), charcoal, chalk, watercolor, oil paint, and coarse charcoal or pigment in binding medium on applied papers, mounted on cardboard, 64.8 x 49.5 cm (25 1/2 x 19 1/2 inches), Philadelphia Museum of Art
This is a list of some works by Spanish painter Pablo Picasso, from 1941 on to 1950. 1941 Dora Maar au Chat; 1941 Tete de femme (Dora Maar) (in plaster) 1941 Nature Morte; 1942 Nature morte à la Guitare; 1942 Bull's Head; 1943 Buste de femme 43; 1943 Mujer con sombrero [1] 1944 Plant de Tomato
Prominent in his Cubist paintings are forms easily recognized as guitars, violins, and bottles. [113] When Picasso depicted complex narrative scenes it was usually in prints, drawings, and small-scale works; Guernica (1937) is one of his few large narrative paintings. [112] Picasso painted mostly from imagination or memory.
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Pablo Picasso, 1910, Girl with a Mandolin (Fanny Tellier), oil on canvas, 100.3 × 73.6 cm, Museum of Modern Art, New York. Cubism is an early-20th-century avant-garde art movement begun in Paris that revolutionized painting and the visual arts, and influenced artistic innovations in music, ballet, literature, and architecture.
Harlequin is a painting of 1913 by the Spanish artist Pablo Picasso. It can loosely be considered a portrait of a harlequin, but through the lens of Picasso's cubist style, in which "Picasso paints a figure from several angles at once, dividing it into rectangles and circles". The painting is considered an example of "synthetic cubism", a ...
Picasso's artwork continuously changed in style over the course of his lifetime, inspired by personal relationships and the work of other artists. Portrait of Ambroise Vollard displays an important period in the evolution of Picasso's artwork, known as Analytic Cubism. Picasso said of this phase, "A picture used to be a sum of additions.
Picasso worked on both versions simultaneously. At the same time, he also painted Three Women at the Spring. According to old photos, the Philadelphia version originally only had the Pierrot and Harlequin but Picasso later added the monk. At the end of summer 1921, the canvases were untacked from the garage walls, rolled up, and transported.
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