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The Wilhelm Busch Museum (German: Wilhelm Busch - Deutsches Museum für Karikatur und Zeichenkunst, "Wilhelm Busch - German Museum of Caricature and Drawings") is a museum in Hanover, Lower Saxony, Germany. It features the world's largest collection of works by Wilhelm Busch, [1] as well as contemporary comic art, illustrations and drawings.
(2000s re-publication cover art). Art by Rötger Feldmann. Werner is a German comics character, appearing in a number of German comic books and animated films. He was created in 1978 [1] by Brösel (Rötger Feldmann). Werner is the most successful German comic character of all time with over 10 million books sold and over 13 million film ...
The first sequel, Werner: Eat My Dust!!!, was the most expensive German animated film of all-time, with a cost of $12 million (8 million Deutsch mark). It opened on 633 screens on Thursday, June 27, 1996 and had a record opening for a German film with a gross of $7.3 million in 4 days.
After 1960 the West German publishers commissioned foreign artists and studios. Bessy was a Belgian production for the German market, Wendy was produced in Britain, and Gespenster Geschichten was drawn by Spanish artists. Despite dubious art quality and increasing resistance from educators, these comics were very popular.
The East German version was ultimately more popular, and repeats of episodes are still broadcast today. A full-length feature film, The Sandman and the Lost Sand of Dreams (German: Das Sandmännchen – Abenteuer im Traumland, literally "The Little Sandman – Adventure[s] in Dreamland"), was released in 2010.
Cover of a German collected edition of Nick Knatterton comics. Nick Knatterton is the name of a West German comic strip and the name of its main character, a private detective. The strip was drawn by Manfred Schmidt (1913–1999) from 1950 to 1959. It was initially released in the German magazine Quick. [1]
Father and Son (German: Vater und Sohn) are cartoon figures created by E. O. Plauen (often stylized as e.o.plauen). The pantomime comic [1] depicts a plump, balding father and his son grappling with various everyday situations. The cartoon was a weekly feature in the Berliner Illustrirte Zeitung from 1934 to 1937. [2]
The cartoons were published by Der Stürmer in December 1925, and Rupprecht was hired by the paper. [ 1 ] With the exception of 1927, he was Der Stürmer ' s sole regular cartoonist under the pen-name of "Fips" until February 2, 1945, when the last edition of Der Stürmer appeared, drawing thousands of anti-Semitic caricatures.