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The Hindu figure of Rama is often presented as an ideal man, representing the epitome of righteousness, compassion, duty, sacrifice, and leadership, making him an enduring symbol of ethical and moral conduct. [1] Rama's adherence to righteousness, or dharma, is a central aspect of his symbolism as an ideal man.
Jai Shri Ram [a] (IAST: Jaya Śrī Rāma) is an expression in Indic languages, translating to "Glory to Lord Rama" or "Victory to Lord Rama". [6] The proclamation has been used by Hindus as a symbol of adhering to the Hindu faith, [7] or for projection of varied faith-centered emotions. [8] [9] [10]
Balak Ram, the 5-year-old form of Rama, is the principal deity of the Ram Mandir in Ram Janmabhoomi The ancient epic Ramayana states in the Balakanda that Rama and his brothers were born to Kaushalya and Dasharatha in Ayodhya , a city on the banks of Sarayu River .
'child Rama', IAST: Bālakarāma), also known as Ram Lalla, is the presiding diety of the Ram Mandir, a prominent Hindu temple located at Ram Janmabhoomi, the birthplace of the Hindu deity Rama in Ayodhya, India. [4] [5] Balak Rama is housed in the sacred sanctum sanctorum (garbha gṛha) of the Ram Mandir, a traditional Nagara style temple.
The Ram Mandir is being built to commemorate the birth of Rama: therefore, the presiding deity of the temple is supposed to be the infant form of Rama, an avatar of Vishnu. Rama in that infant form was referred as Ram Lalla (lit. ' Child Rama ') by Tulsidas. However, the idol of Rama that was placed in 1949 referred to as Ram Lalla Virajman (lit.
The consecration ceremony of Ram Mandir was completed by the Prime Minister of India, Narendra Modi on 22 January 2024 from 12:15 PM to 12:45 PM IST. [25] [26] The trust invited Indian Prime Minister Narendra Modi to perform the rituals. [27] Modi was on a special 11-day fast ritual for the consecration at the Ram Janmabhoomi Temple.
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In Indonesia, the Ramayana is a deeply ingrained aspect of the culture, especially among Javanese, Balinese and Sundanese people, and has become the source of moral and spiritual guidance as well as aesthetic expression and entertainment, for example in wayang and traditional dances.