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Ratfucking. Ratfucking is an American slang term for behind the scenes (covert) political sabotage or dirty tricks, particularly pertaining to elections. It was brought to public attention by Bob Woodward and Carl Bernstein in All the President's Men (1974), the book that chronicled their investigative reporting of the Watergate scandal.
Depending on the application and intent, some photograph manipulations are considered an art form because they involve creation of unique images and in some instances, signature expressions of art by photographic artists. For example, Ansel Adams used darkroom exposure techniques to darken and lighten photographs.
The trick-taking genre of card games is one of the most common varieties, found in every part of the world. The following is a list of trick-taking games by type of pack : 52-card French-suited pack
"If it was an adult party, well.." he teases. "With tequila, I do this thing where I can pick up a grape. Not with my hands, not with my feet, not even my mouth.
An illustration of a weasel using "weasel words". In this case, "some people" are a vague and undefined authority. In rhetoric, a weasel word, or anonymous authority, is a word or phrase aimed at creating an impression that something specific and meaningful has been said, when in fact only a vague, ambiguous, or irrelevant claim has been communicated.
WARNING: Images may be upsetting. Do not try this at home. In an interview with the Huffington Post , the Colorado teen explained how he found out about his 'superpower' about two years ago during ...
Gaslighting is a colloquialism, defined as manipulating someone into questioning their own perception of reality. [ 1 ][ 2 ] The expression, which derives from the title of the 1944 film Gaslight, became popular in the mid-2010s. Merriam-Webster cites deception of one's memory, perception of reality, or mental stability. [ 2 ]
A clay model of a chicken, designed to be used in a clay stop motion animation [1]. Stop motion (also known as stop frame animation) is an animated filmmaking technique in which objects are physically manipulated in small increments between individually photographed frames so that they will appear to exhibit independent motion or change when the series of frames is played back.