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Ayu Utami, whose 1998 novel Saman is noted as starting the sastra wangi movement. Sastra wangi (also spelled sastrawangi; literally, "fragrant literature") is a label given to a new body of Indonesian literature written by young, urban Indonesian women who take on controversial issues such as politics, religion and sexuality.
Musi (Basé Musi) is a Malayic variety spoken primarily in parts of South Sumatra, Indonesia.While the name Musi in the broad sense can also refer to the wider Musi dialect network comprising both Upper Musi and Palembang–Lowland clusters, [2] it is locally used as an endonym specific to the variety spoken in the upstream parts of Musi River.
Indonesian literature is a term grouping various genres of South-East Asian literature.. Indonesian literature can refer to literature produced in the Indonesian archipelago.
Keadaan dan Perkembangan Bahasa, Sastra, Etika, Tatakrama, dan Seni Pertunjukan Jawa, Bali, dan Sunda [The Status and Development of Javanese, Balinese, and Sundanese Language, Literature, Ethics, Manners, and Performance Arts] (in Indonesian). Yogyakarta: Project for the Research and Analysis of Works from Around the Archipelago.
A raga (IAST: rāga, IPA:; also raaga or ragam or raag; lit. ' colouring ' or ' tingeing ' or ' dyeing ' [ 1 ] [ 2 ] ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode . [ 3 ]
Hans Bague Jassin (31 July 1917 – 11 March 2000), better known as HB Jassin, was an Indonesian literary critic, documentarian, and professor.Born in Gorontalo to a bibliophilic petroleum company employee, Jassin began reading while still in elementary school, later writing published reviews before finishing high school.
Malaysian Malay (Malay: Bahasa Melayu Malaysia) or Malaysian (Bahasa Malaysia) [7] – endonymically within Malaysia as Standard Malay (Bahasa Melayu piawai) or simply Malay (Bahasa Melayu, abbreviated to BM) – is a standardized form of the Malay language used in Malaysia and also used in Brunei Darussalam and Singapore (as opposed to the variety used in Indonesia, which is referred to as ...
An alapana, sometimes also called ragam, [7] is the exposition of a raga or tone - a slow improvisation with no rhythm, [8] where the raga acts as the basis of embellishment. [9] In performing alapana, performers consider each raga as an object that has beginnings and endings and consists of sequences of thought.