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Gubaidulina's entire piano output belongs to her earlier compositional period and consists of the following works: Chaconne (1962), Piano Sonata (1965), Musical Toys (1968), Toccata-Troncata (1971), Invention (1974) and Piano Concerto "Introitus" (1978).
Music for Flute, Strings, and Percussion is a piece written by Sofia Gubaidulina in 1994 dedicated to Pierre-Yves Artaud. The instruments are divided into two sections, one of which is tuned a quarter-tone lower than the other. [1] Gubaidulina (2001) describes, "in this way the potential of treating both halves as 'light' and 'shadow' emerges."
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Two Soviet composers of note who wrote compositions for bayan are Vladislav Zolotaryov and Sofia Gubaidulina. Slovak composer Peter Machajdík composed Concerto for Two Bayans and Orchestra , [ 3 ] which was premiered by Acco Duo (Miran Vaupotić & Ivana Levak-Vaupotić), with the Symphony Orchestra of the Pomeranian Philharmonic under ...
Reviewing the world premiere, Zoë Madonna of The Boston Globe highly praised the concerto, writing, "Gubaidulina here imbued the element of breath into every instrument. . The sound of the bayan appeared with a dark major seventh dyad, and low swells of sound rolled from the basses and tuba, introducing ascending intervals in the solo cello and violin and subtle dynamic arcs in the strin
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) is a symphony in twelve movements by Russian-Tatar composer Sofia Gubaidulina. It was written in 1986 [1] and dedicated to the conductor Gennady Rozhdestvensky, who gave the first performance in West Berlin with the Moscow State Symphony Orchestra on September 4, 1986. It takes the two words of its title from a poem by Francisco Tanzer. [2]
The work is centered on the musical theme given by Frederick the Great to Johann Sebastian Bach which formed the basis of his Musikalisches Opfer (BWV 1079).Gubaidulina orchestrates this theme using a Klangfarbenmelodie technique reminiscent of Webern, passing it around various instruments to exploit their different timbres.