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The colourful patterns and designs that are embroidered resulted in the name "Nakshi Kantha," [6] which was derived from the Bengali word "naksha," referring to artistic patterns. [7] Early kanthas had a white background accented with red, blue, and black embroidery; later, yellow, green, pink, and other colours were also included.
Kantha used as bed for a baby. Kantha is a form of embroidery often practised by rural women. The traditional form of Kantha embroidery was done with soft dhotis and saris, with a simple running stitch along the edges. Depending on the use of the finished product they were known as Lepkantha or Sujni Kantha.
An album quilt (c. 1850), part of the collection at the Baltimore Museum of Art. Baltimore album quilts originated in Baltimore, Maryland, in the 1840s. They have become one of the most popular styles of quilts and are still made today. These quilts are made up of a number of squares called blocks. Each block has been appliquéd with a ...
Hawaiian quilts are wholecloth (not pieced) quilts, featuring large-scale symmetrical appliqué in solid colors on a solid color (usually white) background fabric. Traditionally, the quilter would fold a square piece of fabric into quarters or eighths and then cut out a border design, followed by a center design.
A 1979 quilt by Lucy Mingo of Gee's Bend, Alabama. It includes a nine-patch center block surrounded by pieced strips. The quilts of Gee's Bend are quilts created by a group of women and their ancestors who live or have lived in the isolated African-American hamlet of Gee's Bend, Alabama along the Alabama River.
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Detail of Tristan from scene 7 Detail of King Mark from scene 7 Detail of rowers from scene 8. The imagery on the quilt resembles the narrative of chapters 17–19 of a 14th-century novella, La Tavola Rotonda o L'Istoria di Tristano, which describes the oppression of Cornwall by Languis of Ireland and his champion Amoroldo (a variation on "Morholt"), and the battle of Tristan on behalf of King ...
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