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The vertical viola, alto violin or upright viola, is a stringed instrument with the range of a viola that is played vertically in the manner of a cello. [1] It is the fourth-highest member of the violin octet (after the treble, soprano, and mezzo violins). The standard viola is about as big as can conveniently be played under the chin.
The playing ranges of the instruments in the violin family overlap each other, but the tone quality and physical size of each distinguishes them from one another. The ranges are as follows: violin: G 3 to E 7 (practical, notes up to A7 are possible); viola: C 3 to A 6 (conservative); violoncello: C 2 to A 5 (conservative); and double-bass: E 1 to C 5 (slightly expanded from conservative estimate).
Long String Instrument, (by Ellen Fullman, strings are rubbed in, and vibrate in the longitudinal mode) Magnetic resonance piano , (strings activated by electromagnetic fields) Stringed instruments with keyboards
Viola close up of bridge. The viola is similar in material and construction to the violin. A full-size viola's body is between 25 and 100 mm (1 and 4 in) longer than the body of a full-size violin (i.e., between 38 and 46 cm [15–18 in]), with an average length of 41 cm (16 in).
The bass violin was actually often referred to as a "violone", or "large viola", as were the viols of the same period. Instruments that share features with both the bass violin and the viola da gamba appear in Italian art of the early 16th century. A baroque cello strung with gut strings. Note the absence of fine-tuning pins on the tailpiece.
Modern incarnations of the tenor violin include the violotta and viola profonda (both held at the shoulder). In the violin octet, the tenor violin exists as an instrument tuned an octave below the violin and approximately the same size as a 1 ⁄ 2-size cello; the baritone violin in the same is an enlarged version of the cello. [citation needed]
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Changes by August Bohlin (1877–1949) in 1929/1930 made the nyckelharpa a chromatic instrument with a straight bow, making it a more violin-like and no longer a bourdon instrument. [8] Composer, player and maker of nyckelharpor Eric Sahlström (1912–1986) used this new instrument and helped to re-popularize it in the mid-20th century. [ 8 ]
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