Search results
Results from the WOW.Com Content Network
Tommaso dei Cavalieri was the son of Cassandra Bonaventura and Mario de' Cavalieri. Cavalieri was born around 1509 , but the exact date of his birth is unknown. In an official document translated by Gerda Panofsky-Soergel, mention is made that Cavalieri paid the stipend for the Mass in the memory of his brother Emilio on 6 September 1536.
The exact date of execution of the statue is unknown, but it is usually related to the project for the tomb of Julius II.It is thought to have been intended for one of the lower niches of one of the last projects for the tomb, perhaps that of 1532 for which the so-called Captives or "Provinces" now in the Galleria dell'Accademia of Florence may have also been made.
Love: Michelangelo paints The Last Judgment first for Clement and then, upon his passing, Pope Paul III. He also begins deep friendships with both Vittoria Colonna and Tommaso dei Cavalieri. The Dome: Michelangelo finally finishes his tomb for Julius and is named architect of St. Peter's Basilica despite opposition from other architects and ...
Michelangelo for all his immense fame isn’t the most immediately lovable of artists. ... (1540-45), with the doomed god’s horses plunging out of the sky, created for Tommaso de’ Cavalieri, a ...
Michelangelo wrote many letters to Cavalieri along with poetry and the previously mentioned drawings. In the many sonnets he wrote to Cavalieri, Michelangelo referred to the "immeasurable love" that he carried for young nobleman; he even used Cavalieri's name in a pun to describe his affections stating, "I am held prisoner by an armed Cavalier".
Michelangelo di Lodovico Buonarroti Simoni [a] (6 March 1475 – 18 February 1564), known mononymously as Michelangelo, [b] [1] was an Italian sculptor, painter, architect, [2] and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art.
On 9 July Michelangelo contracted a stonemason, Antonio del Ponte a Sieve, to execute the architectural elements of the tomb's lower register, which can be seen in the final design. [8] A large, ruined drawing attributed to Michelangelo survives from this phase of the project, in the Kupferstichkabinett in Berlin; a more legible facsimile by ...
Michelangelo's two frescoes in the Cappella Paolina, The Conversion of Saul and The Crucifixion of St Peter were painted from 1542 to 1549, the height of his fame, but were widely viewed as disappointments and even failures by their contemporary audience. They did not conform to the compositional conventions of the time and the subject-matter ...