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A matte box may have a bellows, a rigid sunshade, or both. If both, the bellows is positioned within the rigid sunshade, having a mask which may be adjusted forward or backward to suit the angle of view of the camera system. Matte Boxes are either mounted on two 15mm rods - an international standard - or the more heavy-duty 19mm rods.
Optical cage system in a vacuum chamber. An optical cage system is an optomechanical system that is used to mount optical elements such as lenses and mirrors together in a rigid assembly. Optical systems built this way can be more compact than can be achieved using an optical table, and the system provides more flexibility than an optical rail.
A system for quantifying the sensitivity ("speed") of a photographic emulsion, or a solid-state digital-camera's image sensor, to visible light. Normally followed by a numerical value, e.g.: ISO 100 or ISO 64/19°. Developed from the ASA and the DIN systems by the International Organization for Standardization. [4] JPEG
To avoid shaking the camera when lens adjustments are made, a wireless remote operated by the camera assistant is used to control focus and iris. For low-angle shots, the Steadicam sled can be inverted vertically, putting the camera on the bottom, and the monitor and batteries on the top. This is referred to as low mode operation.
The camera operators are freed from the control of iris, black level and colour balance, leaving them free to concentrate on other aspects of camerawork such as blocking and image composition. [4] All signals that operate between the camera and CCU are carried in one multicore cable, triax or fiber optic cable.
The T-mount is a standard lens mount for cameras and other optical assemblies. The usual T-mount is a screw mount using a male 42×0.75 (42 mm diameter, 0.75 mm thread pitch) metric thread on the lens with a flange focal distance of 55 mm and a mating female 42mm thread on a camera adapter or other optical component.
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In 1952, Arri introduced the Arriflex 16ST, the first professional 16mm camera with a reflex viewing system. [15] [11] [16] [17] In 1965, a self-blimped 16mm camera was released: the Arriflex 16BL. [18] The Arriflex 35BL followed in 1972 as a lightweight, quiet alternative to the rather heavy and cumbersome blimped cameras of the time. [19]
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