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Farrokhzad's poetry was banned for more than a decade after the Islamic Revolution. [4] A brief literary biography of Farrokhzad, Michael Craig Hillmann's A Lonely Woman: Forough Farrokhzad and Her Poetry, was published in 1987. [5] Farzaneh Milani's work Veils and Words: The Emerging Voices of Iranian Women Writers (1992) included a chapter ...
After a stay in Europe in 1958, Forugh Farrokhzad, most well-known as a poet, returned to Iran and met and began a relationship with filmmaker Ebrahim Golestan.She worked at his film studio, where she gained an opportunity to work as an editor on his documentaries A Fire and Water and Heat, before then directing The House is Black in collaboration with a leprosy charity.
Moreover, Iranian new wave films are rich in poetry and painterly images. There is a line back from modern Iranian cinema to the ancient oral Persian storytellers and poets, via the poems of Omar Khayyam. [7] Features of New Wave Iranian film, in particular the works of legendary Abbas Kiarostami, have been classified by some as postmodern. [8]
In the 1960s, there were 'New Wave' movements in the cinema of numerous countries. The pioneers of the Iranian New Wave were directors like Forough Farrokhzad, Sohrab Shahid Saless, Bahram Beizai, and Parviz Kimiavi. They made innovative art films with highly political and philosophical tones and poetic language.
Farrokhzad is one of the most influential Persian poets. Many of her poems focused on feminism thus they have remained important and significant as the voice of women in Iran. [8] 'The Wind-up Doll' is an example of Farrokhzad's poetic obsession with societal issues and critique of tradition. [9]
The title is a reference to a poem written by the modern Iranian poet Forough Farrokhzad. In the film, a journalist posing as a city engineer arrives in a Kurdish village to document the locals' mourning rituals that anticipate the death of an old woman. However, she remains alive, and the journalist is forced to slow down and appreciate the ...
In February 2017, 50 years after Farrokhzad's death, the 94-year-old Golestan broke his silence about his relationship with Forough, speaking to Saeed Kamali Dehghan of The Guardian. Golestan said: "I rue all the years she isn't here, of course, that's obvious. We were very close, but I can't measure how much I had feelings for her. How can I?
His interview with Forough Farrokhzad in 1964 is considered as an exemplary recording of the poet's voice. [6] Publications. Gorgin, Iraj (2012).