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In this book, Blacking called for a study of music as "Humanly Organized Sound", arguing that "it is the activities of Man the Music Maker that are of more interest and consequence to humanity than the particular musical achievements of Western man", [2] and that "no musical style has 'its own terms': its terms are the terms of its society and ...
Everett Thayer Gaston (July 4, 1901 – 1970) was a psychologist active in the 1940s–1960s who helped develop music therapy in the United States, describing the qualities of musical expression that could be therapeutic.
In 1982, Grainger's centennial year, Richard and John recorded for NPR several programs of Grainger's chamber music, including the Trios for piano, violin and cello, My Robin is to the Greenwood Gone and Colonial Song, as well as other works for strings and piano, besides many compositions for two pianists.
The Warriors: Music to an Imaginary Ballet is an orchestral piece written in the United States by the Australian-born composer and pianist Percy Grainger between 1913 and 1916. It is dedicated "For Frederick Delius , in admiration and affection".
Music therapy may be suggested for adolescent populations to help manage disorders usually diagnosed in adolescence, such as mood/anxiety disorders and eating disorders, or inappropriate behaviors, including suicide attempts, withdrawal from family, social isolation from peers, aggression, running away, and substance abuse.
Grainger's compositional career lasted for more than half a century, from the end of the 19th century until the middle 1950s. Works tended to be written concurrently, and were often developed over very long periods of time—in some cases extending to several decades—before eventual publication.
The Museum was designed by the University's staff architect John Gawler of the local firm Gawler and Drummond, with input and funding from Grainger himself. It was built between 1935 and 1939 on land provided for the purpose by the University of Melbourne, and officially opened in December 1938. [ 4 ]
Lincolnshire Posy is a musical composition by Percy Grainger for concert band commissioned in 1937 by the American Bandmasters Association. [1] Considered by John Bird, the author of Grainger's biography, to be his masterpiece, the 16-minute-long work has six movements, each adapted from folk songs that Grainger had collected on a 1905–1906 trip to Lincolnshire, England.