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Modern Greek art, after the establishment of the Greek Kingdom, began to be developed around the time of Romanticism. Greek artists absorbed many elements from their European colleagues, resulting in the culmination of the distinctive style of Greek Romantic art, inspired by revolutionary ideals as well as the country's geography and history.
Greek art, especially sculpture, continued to enjoy an enormous reputation, and studying and copying it was a large part of the training of artists, until the downfall of Academic art in the late 19th century. During this period, the actual known corpus of Greek art, and to a lesser extent architecture, has greatly expanded.
Such wreaths or crowns were represented in classical architecture, in ancient Greek art and sculpture, and in Roman art and sculpture. As well as being awarded for merit and military conduct, they were worn by orators, priests performing sacrifices, by the chorus in ancient Greek drama, and by attendees of a symposium.
Diairesis (Ancient Greek: διαίρεσις, romanized: diaíresis, "division") is a form of classification used in ancient (especially Platonic) logic that serves to systematize concepts and come to definitions. When defining a concept using diairesis, one starts with a broad concept, then divides this into two or more specific sub-concepts ...
Hellenistic sculpture represents one of the most important expressions of Hellenistic culture, and the final stage in the evolution of Ancient Greek sculpture. The definition of its chronological duration, as well as its characteristics and meaning, have been the subject of much discussion among art historians, and it seems that a consensus is ...
An artistic language, or artlang, [1] [2] [3] is a constructed language designed for aesthetic and phonetic pleasure. Constructed languages can be artistic to the extent that artists use it as a source of creativity in art, poetry, calligraphy or as a metaphor to address themes such as cultural diversity and the vulnerability of the individual in a globalizing world. [4]
It is the work of the Suessula Painter, an Athenian vase-painter whose name is unknown. He worked in both Corinth and Athens and is recognizable by his style, with great freedom of posture and a unique shading of figures. Created around 410–400 BCE, this notable example of red-figure pottery stands 69.5 cm tall, 32 cm wide.
The word ekphrasis, or ecphrasis, comes from the Greek for the written description of a work of art produced as a rhetorical or literary exercise, [1] often used in the adjectival form ekphrastic. It is a vivid, often dramatic, verbal description of a visual work of art, either real or imagined. Thus, "an ekphrastic poem is a vivid description ...