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Biomusicology is the study of music from a biological point of view. The term was coined by Nils L. Wallin in 1991 to encompass several branches of music psychology and musicology, including evolutionary musicology, neuromusicology, and comparative musicology. [1] Power of Music by Louis Gallait. A brother and sister resting before an old tomb.
In isorhythmic compositions, a composition technique characteristic of motets in the 14th and early 15th centuries, the term color refers to a sequence of repeated notes in the cantus firmus tenor of a composition. The color is typically divided into several taleae, sequences that have the same rhythmic sequence. [citation needed]
A variety of musical terms are encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings.
Colored music notation is a technique used to facilitate enhanced learning in young music students by adding visual color to written musical notation. It is based upon the concept that color can affect the observer in various ways, and combines this with standard learning of basic notation.
The lowest voice sings the same music at twice the speed of the slowest, and the highest voice sings the same music at three times the speed of the slowest. In the original score, only one part is given: a notation over the single line of music indicates the three prolations to be used, and a second notation over the line indicates where each ...
As Novalis put it, "The musical proportions seem to me to be particularly correct natural proportions." [3] Alternatively, it can be described as the tuning of the syntonic temperament [1] in which the generator is the ratio 3:2 (i.e., the untempered perfect fifth), which is ≈ 702 cents wide. The system dates back to Ancient Mesopotamia;. [4]
The incorporation of bird song in music is one of the most widely studied forms of biomusic. Notable in this regard is the French composer Olivier Messiaen who began incorporating accurately transcribed bird songs into his music in 1952. One obstacle facing the use of bird songs in music is their complexity and usually very high register.
The system of note types used in mensural notation closely corresponds to the modern system. The mensural brevis is nominally the ancestor of the modern double whole note (breve); likewise, the semibrevis corresponds to the whole note (semibreve), the minima to the half note (minim), the semiminima to the quarter note (crotchet), and the fusa to the eighth note (quaver).