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Ancient Chinese glass refers to all types of glass manufactured in China prior to the Qing dynasty (1644–1911). In Chinese history, glass played a peripheral role in arts and crafts, when compared to ceramics and metal work. [1] The limited archaeological distribution and use of glass objects are evidence of the rarity of the material.
Japanese glass wind bells known as fūrin (風鈴) have been produced since the Edo period, [4] and those at Mizusawa Station are one of the 100 Soundscapes of Japan. Wind chimes are thought to be good luck in parts of Asia and are used in Feng Shui. Wind chimes started to become modernized around 1100 C.E. after the Chinese began to cast bells.
The origins of fūrin are believed to be from the Chinese Tang Dynasty when metal wind chimes were hung in bamboo forests and used to tell fortunes. [1] [3] The word fūrin was first used in Japan during the Heian period when they were hung from eaves, particularly at Buddhist temples, as talismans to ward off evil spirits. [1]
Early Chinese wind spirits were many. The Shang had the masters of the four directions, [9] an eastern tradition had the naturalistic "Great Wind" (大風), another tradition considered the winnowing basket constellation (箕星, [10] comprising four stars in Sagittarius) as the controller of the winds, the south had Feilian, and theorists have speculated that a number of named mythical birds ...
The paixiao (traditional: 排簫; simplified: 排箫; pinyin: páixiāo; also pái xiāo) is a Chinese wind instrument, a form of pan flute. A major difference between the Chinese Paixiao and the panpipes used in European and South American traditions, is that at the top of the Chinese instrument the pipe holes are each cut angled or with notches.
The bianqing (IPA: [biːɛnʧɪŋ] Chinese: 编磬; pinyin: biānqìng [bi̯ɛn˥ t͡ɕʰiŋ˥˩]) is a traditional Chinese percussion instrument consisting of a set of L-shaped flat stone chimes known as qing, played melodically. The chimes were hung in a wooden frame and struck with a mallet.
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