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The Pursuit of Spiritual Wisdom : The Thought and Art of Vincent van Gogh and Paul Gauguin. London: Associated University Presses in association with the Minneapolis Institute of Arts. ISBN 978-0-8386-3749-4. Welsh-Ovcharov, Bogomila (1987). "Vincent van Gogh, Paul Gauguin, and Albert Aurier: The Perception of Life in Death". In Leith, James (ed.).
The most comprehensive primary source on Van Gogh is his correspondence with his younger brother, Theo.Their lifelong friendship, and most of what is known of Vincent's thoughts and theories of art, are recorded in the hundreds of letters they exchanged from 1872 until 1890. [8]
Van Gogh did not begin painting until his late twenties, and most of his best-known works were produced during his final two years. He produced more than 2,000 artworks, consisting of around 900 paintings and 1,100 drawings and sketches. In 2013, Sunset at Montmajour became the first full-sized Van Gogh painting to be newly confirmed since 1928 ...
Van Gogh's drawing of 87 Hackford Road. In July 1869, Van Gogh's uncle, “Cent” Van Gogh, helped him obtain a position with the art dealer Goupil & Cie in The Hague.After his training, in June 1873, Goupil transferred him to London, where he lodged at 87 Hackford Road, Brixton, [1] and worked at Messrs. Goupil & Co., 17 Southampton Street. [2]
It was one of the first paintings by van Gogh to enter a public collection. It was photographed in color in the 1930s, an uncommon and costly practice at the time. [5] [4] During World War II, the collection of the Kaiser-Friedrich Museum was transported to a salt mine in the nearby town of Stassfurt, in order to protect it from Allied bombing ...
Van Gogh appears to have been introduced to him by Theo, and the pair sketched together in the working-class districts of The Hague in the early months of 1882. Breitner was motivated to do so because he regarded himself as a painter of the common folk. Van Gogh, initially at any rate, was more intent on recruiting models. [9]
Van Gogh spent the last few months of his life in Auvers-sur-Oise, a small town just north of Paris, after he left an asylum at Saint-Rémy in May 1890. [4] He made the painting in the week following his portraits of Dr. Gachet. [5]
Van Gogh mentioned the liveliness and interplay of "a wedding of two complementary colors, their mingling and opposition, the mysterious vibrations of two kindred souls." [ 6 ] While in Nuenen Van Gogh became familiar with Michel Eugène Chevreul 's laws in weaving to maximize the intensity of colors through their contrast to adjacent colors.